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AWOL - The Ancient World Online

ISSN 2156-2253

Sunday, January 23, 2022

Open Access Journal: Frammenti sulla scena (online)

[First posted in AWOL 8 September 2020, updates 23 January 2022]

Frammenti sulla scena (online)
ISSN 2612-3908

Testata della pagina
La rivista scientifica FRAMMENTI SULLA SCENA (ONLINE). STUDI SUL DRAMMA ANTICO FRAMMENTARIO è l'organo scientifico ufficiale del Centro Studi sul Teatro Classico dell'Università degli Studi di Torino.

La rivista accoglie contributi dedicati all'indagine degli aspetti letterari, linguistici, filologici, antropologici, filosofici, storico-archeologici e papirologici del dramma frammentario greco-latino e delle tradizioni teatrali minori del Mediterraneo, nonché studi relativi alla permanenza, alla fortuna e all'esegesi dei testi teatrali in epoca antica, tardoantica, bizantina e paleocristiana.

Lo scopo di questa rivista è pervenire, mediante l'apporto di tutte le discipline afferenti alle Scienze dell'antichità, a delineare una nuova visione di insieme del patrimonio letterario rappresentato dai testi teatrali pervenuti in forma frammentaria o noti per tradizione indiretta.

La rivista è pubblicata dal Centro Studi sul Teatro Classico; direttore scientifico prof. Francesco Carpanelli, direttore editoriale dott. Luca Austa.

I contributi pubblicati nella rivista sono stati sottoposti a una valutazione anonima in doppio cieco e al vaglio definitivo del Comitato scientifico che ne attesta la validità nel rispetto degli standard internazionali di scientificità.

La rivista è pubblicata con cadenza annuale; i singoli contributi inviati alla Redazione sono pubblicati (previo superamento della valutazione in doppio cieco) nei mesi di aprile, agosto e dicembre di ciascun anno. Al termine dell'anno solare la Redazione allestirà il numero definitivo, corredato da un indice dei contenuti.
The scientific journal FRAMMENTI SULLA SCENA” (ONLINE). STUDIES ON  FRAGMENTARY ANCIENT DRAMA is the official scientific body of the Centre for Studies in Greek and Roman Theatre of the University of Turin.

The journal includes papers dedicated to the investigation of the literary, linguistic, philological, anthropological, philosophical, historical-archaeological and papyrological aspects of fragmentary Greco-Roman drama and of the minor theatrical traditions of the Mediterranean, as well as studies concerning permanence, fortune and exegesis of theatrical texts in ancient, late antique, Byzantine and early Christian times.

The purpose of this journal is to outline, new vision of the literary heritage represented by theatrical texts received in fragmentary form or known by indirect tradition.

The journal is published by the Centre for Studies in Greek and Roman Theatre; scientific director Prof. Francesco Carpanelli, editorial director Dr. Luca Austa.

The papers published in this journal are subject to an anonymous double-blind evaluation and to the final scrutiny of the Scientific Committee, which certifies its validity in compliance with international scientific standards.

The journal is published annually; the individual papers sent to the editorial board are published (after passing the double-blind assessment) in April, August and December of each year. At the end of the year the editors will set up the final number, accompanied by an index.

Ultimo fascicolo

N. 1 · 2020 · (2) - Volume speciale - Il teatro della 'polis' tra intrattenimento e politica - Atti del convegno internazionale (Pisa 2019)

A cura di Andrea Giannotti; con la collaborazione di Luca Austa

 

Pubblicato: 2020-12-31

Copertina, Indice e Pagine prefatorie

Copertina e Indice

Luca Austa

Prefazione

Francesco Carpanelli

Arte poetica e arte politica: per una breve panoramica degli studi sul teatro greco

Andrea Giannotti

Philologica

Una vicenda tracia: Tereo fra tragedia e politica

Sabrina Mancuso

The Ambiguities of Voluntary Self-Sacrifice: The Case of Macaria in Euripides’ 'Heracleidae'. A Dramaturgic Study

Julien Bocholier

Sulla datazione dell’'Antiope' di Euripide

Sabina Castellaneta

Una comicità dissonante. Qualche riflessione sui finali di Aristofane (425-421 a.C.)

Stefano Ceccarelli

Food, Expulsion, and the Polis in Aristophanes’ 'Birds'

Brian V. Credo, Jr.

Anthropologica

Le feste sulla scena tragica: alcuni esempi

Andrea Taddei

Il γάμος e gli elementi del paesaggio tragico nella parodo delle 'Supplici' di Eschilo

Giulia Re

Θεωρία ed esperienza teatrale: azioni rituali dentro e fuori dalla scena tragica

Gloria Mugelli

La politica del corpo maledetto: per una ricostruzione del significato civico della sepoltura tragica

Alessandro Boschi

Historica

La 'Melanippe Desmotis' di Euripide tra panellenismo e propaganda

Fjodor Montemurro

Sofocle nei demi: problemi metodologici e interpretativi nello studio delle iscrizioni drammatiche sulle repliche della tragedia

Nello Sidoti

Traditio et Fortuna

Tragedy at Home and Homeless: Between Politics and Aesthetics

Barbara Goff

La saga degli Atridi tra Eschilo e Littell

Simone Beta
Lingua
  • Archivi

 

See AWOL's full List of Open Access Journals in Ancient Studies

Posted by Chuck Jones at 2:52 PM
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AWOL is a project of Charles E. Jones, Tombros Librarian for Classics and Humanities at the Pattee Library, Penn State University

AWOL began with a series of entries under the heading AWOL on the Ancient World Bloggers Group Blog. I moved it to its own space here beginning in 2009.

The primary focus of the project is notice and comment on open access material relating to the ancient world, but I will also include other kinds of networked information as it comes available.

The ancient world is conceived here as it is at the Institute for the Study of the Ancient World at New York University, my academic home at the time AWOL was launched. That is, from the Pillars of Hercules to the Pacific, from the beginnings of human habitation to the late antique / early Islamic period.

AWOL is the successor to Abzu, a guide to networked open access data relevant to the study and public presentation of the Ancient Near East and the Ancient Mediterranean world, founded at the Oriental Institute, University of Chicago in 1994. Together they represent the longest sustained effort to map the development of open digital scholarship in any discipline.

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