Chiori Kitagawa
Ancient Egyptians employed three calendrical systems—civil (365
days), natural (environmental phenomena) and lunar—yet the relationship
between administrative time-reckoning and ecological awareness in
funerary iconography merits closer examination. Whilst elites employed
the civil calendar for administration, subsistence practitioners
followed natural seasonal rhythms, such as Nile inundation, animal
reproduction and bird migration. This study investigates whether Old
Kingdom and Middle Kingdom (27th–18th century BCE) funerary decorations
depicting avian fauna reflect accurate seasonal temporality or idealised
scenes separated from natural cycles.
The research analyses avian iconography in funerary contexts,
examining whether portrayed bird species could have seasonally coexisted
and comparing these with depicted subsistence activities. It evaluates
how tomb owners and artisans conceptualised and incorporated natural
temporal patterns into commemorative spaces.
The findings address whether representations adhered to conceptual
(aspektivisch) conventions excluding random factors, thereby treating
seasonality as incidental rather than intentional. This contributes to
understanding the intersection of ecological knowledge, temporal
consciousness and artistic convention in funerary contexts from ancient
Egypt.
eBook published on:
October 19, 2026
eBook ISBN:
9783112244937
Paperback published on:
October 19, 2026
Paperback ISBN:
9783112244920
Front matter:
8
Main content:
58
Illustrations:
21
Tables:
1