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Friday, June 12, 2026
Digital Impacts on Archaeological Fieldwork: Advantages and Limitations. Proceedings of the International Workshop held at the Norwegian Institute at Athens, December 4–5, 2024
About the result
- Date:
- 2026
- Language:
- English
- Total number of pages:
- 272
- ISBN:
- 978-618-85360-6-7
- Result ID:
- 019e9234f4a1-34e48c9e-d30f-48cc-90ef-fcaf136987d7
Publisher
Norwegian Institute at Athens
Level in the Norwegian Publication Indicator (2026): Not decided
Find in the Norwegian register for publishersSeries
Papers and Monographs from the Norwegian Institute at Athens
Print ISSN: 2459-3230
Level in the Norwegian Publication Indicator (2026): 1
Find in the Norwegian register for publishersSeries number: 16
001-276 — Digital Impacts on Archaeological Fieldwork_cover.pdf
122 MB
Published version
General terms of useCopyright 2026 The Norwegian Institute at Athens
Academic chapter
2026
The Thinking Field: Ring-Fencing Creative Space in Digital Archaeological Practice
James Taylor
Holly Wright
Digital practices are now integral to archaeological fieldwork, yet they often replicate traditional methods rather than leveraging the transformative potential of digital technologies. This paper argues that as best practices evolve (shaped by research agendas, infrastructure development, and data standards) digital field archaeology must consciously move beyond the mere emulation of analog workflows. By embedding digital tools into a socialized practice, we can fundamentally reshape archaeological workflows to foster more critical and reflexive engagements with our data. However, the digital transition risks being co-opted in the name of economic efficiency, perhaps pressurizing the working environment1 and potentially constraining creativity and interpretative depth. To counter this, it is imperative to safeguard spaces for creative exploration and playful engagement within digital workflows, ensuring that digital methodologies enhance, rather than erode, archaeological interpretation. Prioritizing such “space to think” both in the field and in our database fields should foster richer insights into the past and reinforces the epistemological value of digital archaeology.
Academic chapter
2026
Excavations Commons: Sharing Fieldwork Data in the Digital Age
Diamantis Panagiotopoulos
Although archaeology is currently evolving at a rapid pace by reinventing itself as a discipline for the study of cultural heritage and by expanding its methods, fields of interests, and aims, the way in which archaeologists treat excavation data continues to defy all efforts at conceptual rethinking, clinging to standards of scientific practice that have long become obsolete. This is quite paradoxical, since new digital tools and—more important still—new social and scientific priorities urge us to overcome the traditional divide between published and unpublished data and to enhance the character of modern archaeology as a collaborative discipline. The present paper seeks to problematize these current challenges by addressing three major aspects of modern excavation projects: a) archaeological ethics of transparency, b) theoretical discussions about archaeological knowledge production and c) purely practical issues of archaeological data management systems. The main objective of this approach is to demonstrate not only the pressing necessity but also the feasibility of a “transparent” excavation and furthermore to discuss some digital concepts and tools that can transform archaeological fieldwork to a genuine field of cultural commons.
Academic chapter
2026
What Digital Documentation Can and Cannot (Yet?) Do – The Case of iDAI.field
Lisa Steinmann
Fabian Riebschläger
Thomas Kleinke
Nicolas Antunes
Simon Hohl
Digital documentation has become widely accepted in archaeological fieldwork, although many projects still use database systems that replicate traditional, analog workflows rather than embracing fully digital processes. This phenomenon limits the interoperability and comparability promised by digital documentation. The development of iDAI.field—a software solution jointly developed by the German Archaeological Institute (DAI) and the Head office of the GBV Common Library Network (VZG)—illustrates both the potential and the challenges associated with standardized digital documentation. Initially developed to overcome the problems of isolated project-specific databases, iDAI.field aimed to standardize data management through a unified, relational database. However, early versions faced issues such as complex synchronization, expensive licensing, and data quality problems due to extensive use of free-text fields and ad hoc documentation practices. These challenges prompted a comprehensive redesign and development of a new, open-source solution incorporating features like offline functionality, a flexible data model, multilingual support, and improved usability. Despite advances, fundamental tensions remain between the goals of standardization and the nuanced, qualitative nature of archaeological data. Users frequently adapt database features creatively, reflecting their preference for qualitative, flexible recording practices. This suggests inherent limits to complete standardization, echoing historical debates within archaeology about balancing structured data with rich, reflexive narratives. Ultimately, digital tools like iDAI.field highlight the ongoing challenge of developing systems that enable interoperability and comparability while preserving the contextual depth essential to archaeological interpretation.
Academic chapter
2026
Deploying Mobile Digital Tools in Archaeological Field Documentation
Periklis Chrysafakoglou
Kyriakos Sgouropoulos
Apostolos Sarris
Dushka Urem-Kotsou
The adoption of digital technologies in archaeology has already surpassed the experimental stages of their application, with the use of digital tools forming an integral part of modern archaeological research. The rapid developments of technological progress and increasingly user-friendly utilization of modern methods have permeated almost every process of archaeological research. These developments in archaeology have sparked the interest and engagement of researchers from fields of technological sciences. Τhe development of the capabilities of mobile devices and network technologies in recent years has significantly assisted the use of digital applications and tools in archaeological data collection processes in the field. Thanks to the utilization of many different methods, the combined collection of archaeological data of different types became possible. Characteristic was the increase and improvement of the collection of descriptive data, as well as the accurate collection of spatial data. Main areas of application of modern digital methods concerned geospatial analysis and the remote sensing technologies, such as GNSS, GIS and geophysical techniques, unmanned aerial vehicles, visualization, photogrammetry, 3D modeling, and digital documentation. The methods and applications of digital archaeological documentation have evolved greatly, reflecting the variety of different needs of individual archaeological projects. This has given each scientific team the opportunity to choose the appropriate combination of methods, digital applications, and tools depending on the needs of the research. Finally, the emergence of AI technologies in archaeology has given new momentum to data processing and analysis.
Academic chapter
2026
This paper examines the implementation of innovative digital recording methodologies at the prehistoric site of Gourimadi in southern Euboea, Greece. Over six years of excavation, the project has developed an integrated digital infrastructure that addresses the complex challenges of recording stratigraphic relationships and architectural remains at a multi-period settlement site. The methodology combines spatial recording technologies, relational database architecture, and photogrammetric approaches within a coherent theoretical framework. The paper assesses both the technological implementation of the digital workflow employed and its epistemological implications for archaeological practice. The digital recording system employs a semi-hierarchical structure of spatial units, using single-context recording methods adapted to allow sub-contextual division when necessary. Field data collection utilizes mobile technology through iPad-based database entry, while spatial recording combines total station measurements with photogrammetric techniques. The integration of these diverse data sources through relational database structures and GIS permits sophisticated spatial analysis while maintaining contextual associations. In this paper, we situate these methodological innovations within broader theoretical discussions of archaeological computing, spatial analysis, and knowledge production in the digital era. We argue that effective digital recording systems must balance technological efficiency with sound archaeological principles, maintaining contextual relationships while enhancing data integration and accessibility. This study demonstrates how contemporary archaeological methodology can leverage digital tools to address traditional challenges of archaeological recording while creating new possibilities for interpretation and analysis.
Academic chapter
2026
Fantasies and Fallacies of Going Digital at Palloures
Victor Klinkenberg
When excavations began at the Chalcolithic site of Palloures in 2015, a fully digital documentation system was implemented with the expectation that it would enhance efficiency and produce more accurate and detailed data compared to traditional analog methods. Nearly a decade later, this paper evaluates whether these expectations were met. While digital recording has indeed improved the accuracy and level of detail in archaeological documentation, the large volume of data generated has posed challenges for accessibility and ease of use. Our experience suggests that the most critical factor in data quality is not just the technology itself but the comfort and efficiency with which fieldworkers can enter and process information. By designing a documentation system that prioritizes usability—ensuring that digital tools facilitate rather than hinder fieldwork— archaeologists can engage with digital recording in a manner comparable to traditional methods, mitigating concerns about a loss of embodied experience. While the system has largely delivered on its initial promises, our experience underscores the substantial investments required, both financially and in terms of labor, as a significant portion of the team is dedicated to managing digital tasks during excavation.
Academic chapter
2026
Loes Opgenhaffen
This paper explores the interplay between digital innovations and traditional practices in archaeological field recording. It examines how technologies either sustain or challenge established technical traditions. The extent to which digital technologies have influenced existing practices is analyzed through the reflexive recording of field illustration at the excavations of ancient Satricum, applying a revised version of the “Tradition in Transition” methodology (TiTM). This methodology serves as a framework for recording and assessing the underlying mechanisms, methods, technologies, and physical and intellectual processes that have shaped and continue to shape archaeological (visualization) practice. TiTM integrates practice theory with reflexivity and draws on technological and visualization methodologies. It was originally designed to assess the impact of new technologies on existing technical visualization traditions but has proven to be a useful tool for documenting production processes, including embodied practice and intangible aspects that occur in the mind; these can be understood as “paradata”. The present study identifies key trends shaping archaeological visualization, emphasizing the balance between innovation and continuity. Due to the inherently creative nature of archaeological visualization and its long history of adopting new tools, the tradition appears to be in a state of transformation—integrating new technologies while continuing to produce familiar-looking results.
Academic chapter
2026
Markos Katsianis
This contribution offers a critical review of digital fieldwork, examining the pace of change, the aspirations, the achievements, the challenges, and the enduring constants in the adoption of digital technologies in archaeological fieldwork. While digital methodologies have significantly enhanced fieldwork recording and data management, they often emphasize technical transformation at the expense of addressing the underlying workflow tensions and complexities introduced by these very processes. By tracing the historical trajectory of digital archaeology, from its early computational applications to contemporary developments, we explore how the integration of digital technologies has reshaped fieldwork methods, data structures, team roles, and the widespread adoption of digital tools. Our analysis attempts to situate these changes within a broader discussion that considers the influence of “digital imaginaries” and the processes of “disciplinary canonization.” As digital methodologies continue to gain legitimacy within archaeological practice, it is vital to reflect their impact critically to ensure that technological advancements align with ethical standards and epistemological perspectives. By doing so, we can perhaps mitigate the unchecked prioritization of technology over the interpretive, social, and ethical foundations of archaeological research.
Introduction in anthology
2026
Digital (Un)Doings: A Foreword to Digital Impacts on Archaeological Fieldwork
Stylistic Innovation in Western Greek Ceramics: Western Archaic Polychrome Pottery in Context. Proceedings of the International Workshop Archaic ‘Elian Style’ Pottery in Western Greece, Norwegian Institute at Athens, November 18, 2022
This book is the product of a workshop entitled Archaic ‘Elian Style’ Pottery in Western Greece, held at the Norwegian Institute at Athens (NIA) on 18 November 2022. Jointly funded by the Research Council of Norway and the Department of Archaeology, Conservation and History at the University of Oslo, the event benefitted greatly from the invaluable support of the Institute’s staff, particularly Paschalis Zafeiriadis, whose efforts in organisation helped create a warm and convivial atmosphere. The volume has been significantly enriched by the generosity and insights of the workshop discussants, Florentia Fragkopoulou, Anastasia Gadolou, Birgitta Eder, and Stella Katsarou, as well as by valuable feedback from peer reviewers. We are pleased to present these proceedings in the series Papers and Monographs from the Norwegian Institute in Athens and deeply grateful to NIA for its financial support in bringing this publication to fruition. Last but not least, we express particular thanks to Søren Handberg for his support throughout this project and his expert work on the illustrations in this book, as well as to Joos Melander for the regional map included below.
About the result
- Date:
- 2026
- Language:
- English
- Total number of pages:
- 396
- ISBN:
- 978-618-85360-5-0
- Result ID:
- 019e2c715d1a-e7a9d33f-7bbe-4515-9529-f0d3508ac364
Publisher
Norwegian Institute at Athens
Level in the Norwegian Publication Indicator (2026): Not decided
Find in the Norwegian register for publishersSeries
Papers and Monographs from the Norwegian Institute at Athens
Print ISSN: 2459-3230
Level in the Norwegian Publication Indicator (2026): 1
Find in the Norwegian register for publishersSeries number: 15
Academic chapter
2026
Olympia Vikatou
The Danish Institute in Athens and the Ephorate of Antiquities of Aitoloakarnania and Lefkada carried out a small-scale excavation at the fortification wall that surrounds the Lower Acropolis plateau in 2014 as part of a collaborative investigation of the so-called Lower Acropolis of Kalydon. A small section of the wall was excavated to determine the construction date of the fortifications. The chronology of the pottery from the clearly defined compartment fill of the wall gives a terminus post quem in the Late Archaic period, but the fill included pottery dating at least from the Late Geometric to the Late Archaic periods. The fill of the wall and a possible levelling fill behind the fortification wall included a small number of distinctive sherds with clear parallels to Archaic ‘Elian’ pottery, here termed Western Archaic Polychrome Pottery (WAPP). This assemblage of polychrome pottery is largely composed of plates and drinking cups, but the context held a wider range of ceramic vessels and other material including, for instance, slag from metal production. Given the varied composition of the fills, it is difficult to determine the assemblage’s original use-context, which could have been an Archaic sanctuary or shrine on the Lower Acropolis or Archaic houses situated on the Lower Acropolis plateau.
Academic chapter
2026
The Plaghia Peninsula and its Archaic Material Culture
Anne Sieverling-Pantelidis
Franziska Lang
This chapter explores the previously undocumented material culture of the Plaghia Peninsula in northwestern Akarnania, with a focus on Archaic period pottery from Palairos and its surrounding areas. The absence of polychrome pottery on the peninsula is examined in relation to comparative finds from the Stratiké and the Olympia region. Additionally, an overview of Archaic period sites on the Plaghia Peninsula is provided, alongside preliminary consideration of their significance. Our research suggests that during the Archaic period, settlements were primarily located on fertile plains rather than in coastal areas and were likely farmsteads essential for subsistence. Evidence of external influence appears minimal, with only a modest presence of Corinthian imports and no discernible Elian or Achaian imports or stylistic influences. Current analysis indicates that pottery was predominantly produced locally, a pattern that may extend to other aspects of daily life, including food, clothing, votive offerings, and building materials. This hypothesis is supported by the discovery of an ancient quarry on the peninsula. Future research will examine how the local material culture of the Plaghia Peninsula’s coastal regions was shaped by its geographical relationship to the hinterland.
Academic chapter
2026
Catherine Morgan
The discovery in Drakaina Cave of a large body of Archaic pottery imported from, or influenced by, Lakonia and the western Peloponnese has re-opened the question of the nature and pattern of connections running through the central Ionian archipelago. In this chapter, I outline the broader island picture with reference to assemblages from comparatively well-known sites on Ithaka, and more recent studies on Leukas and at Astakos on the Akarnanian coast. I address the question of route(s) of transmission and the extent to which the material involved speaks to particular forms of connection. The relatively small role played by WAPP indicates that the islands were on the fringes of its core distribution, while pointing to a variety of local factors influencing preferences for this style.
Academic chapter
2026
Elian, Achaian, or Western Greek Pottery? Kinship of Ceramics from the Ionian Islands and Aitolia
Agathi Karadima
This chapter examines Late Geometric and Early Archaic assemblages of Western Archaic Polychrome Pottery (WAPP) from the cave shrines at Drakaina on Kephallonia and Mastro near the Achelous River in Aitolia. It investigates how shape and decoration preferences in WAPP reflect the role of local and long-distance trade in shaping regional ceramic styles. A key question is whether WAPP represents a distinct style originating in Elis or reflects broader trends in 7th- and 6th-century BCE ceramic production across western Greece. At Drakaina, pottery shows significant influences from the northwestern Peloponnese, especially Elis, while the Mastro material connects to Mediterranean networks including Italy. These patterns reveal the interconnectedness of sanctuaries as cultural nodes in a broader Mediterranean exchange system. The chapter concludes by proposing that WAPP, though part of a shared cultural phenomenon, was locally adapted to reflect regional practices and identities. Continued research into ceramic production and regional networks will provide deeper insights into how local communities navigated their participation in larger cultural contexts and shaped their unique material cultures.
Academic chapter
2026
Ancient Makyneia in Aitolia during the Later Part of the Iron Age and the Archaic Period
Foteini Saranti
This paper presents excavation data from the settlement of ancient Makyneia, located just northwest of Antirrio in western Greece.* The site was uncovered during an extensive rescue excavation conducted as part of the Ionian Highway construction project between 2009 and 2013. The settlement is particularly significant as it features building remains dating from the Late Geometric to Early Archaic periods, with continuous occupation until the end of the Hellenistic era, although there were intermittent periods of abandonment. The architectural evidence from the Archaic phase, along with the pottery and other movable finds, provides valuable comparative material for understanding settlements in the southern Aitolia region and broader western Greece. Notably, the absence of WAPP in this area suggests that its eastern distribution boundary may have been located near Naupaktos.
Academic chapter
2026
Sanne Houby-Nielsen
Stratified pottery dates the foundation of the small promontory site in the Gulf of Patras, identified as Homeric Chalkis, to the early 7th century BCE, with its final Archaic phase in the early 5th century BCE. The assemblage includes a significant quantity of fineware in two broad colour groups: warm red and pale brown with a Corinthianizing appearance. Cookingware is consistently red or orange, while coarseware and ceramic textile tools share both red and pale brown shades. Although most pottery and textile implements were locally produced, they reflect broader stylistic and technological trends in western Greece (including the Ionian Islands, southern Italy, and eastern Sicily), as well as coastal Aitolian traditions and local preferences in Chalkis. Many of these trends align with Corinthian pottery, suggesting a strong Corinthian influence. However, neither WAPP nor specifically ‘Elian style dyeing and weaving’ techniques can be securely identified in Chalkis, and only a few potential imports from Elis were noted. Instead, pottery and weaving traditions in Chalkis incorporated long-standing features characteristic of a broader area in western Greece, which includes the region of Elis. These traditional elements were significant to local identities, with weavers in particular maintaining strong ties to western Greek techniques rather than to those of the eastern part of the corridor connecting the Corinthia with the Ionian islands and Magna Graecia. Likewise, small pyramidal loom weights with a single piercing align with traditions from Argos, Crete, and the western Gulf area, contrasting with Corinth’s preference for conical weights. Spools, another distinctive textile implement with close parallels to examples from Elian Pylos, were primarily found in the House at the Harbour. This chapter examines this evidence, highlighting regional interactions, local production patterns, and cultural affiliations in Archaic Chalkis, which may represent the easternmost extent of WAPP’s popularity.
Academic chapter
2026
Western Archaic Polychrome Pottery (WAPP) from the Artemis Laphria Sanctuary in Kalydon, Aitolia
The extra-mural sanctuary of Artemis Laphria in Kalydon was excavated between 1926 and 1935 by Frederik Poulsen, Konstantinos Rhomaios, and Ejnar Dyggve. The main publication in 1948 focused on the sanctuary’s topography and architecture but omitted finds such as pottery and terracotta figurines. Since 2016, the assemblage has been under study, and the first volume on the pottery has recently been published. Among the material, a group of WAPP vessels has been identified and is discussed in detail here. The WAPP assemblage includes plates, oinochoai, kraters, bowls, and two-handled drinking cups. Its decoration follows the polychrome dark-on-light style characteristic of ancient Pylos in Elis, as defined by John E. Coleman and Katherine Abramovitz. Based on parallels from Elian Pylos, the fragments from Artemis Laphria date to the late 7th–early 6th century BCE. Some fragments suggest possible local imitation of imported WAPP pottery. Notably, a plate with a broad rim and banded dark-on-light decoration is made of a clay that may represent a regional fabric, though further analyses such as pXRF are needed for confirmation. Whether these vessels were produced by local craftsmen or itinerant potters from Elis remains an open question. Comparisons with WAPP pottery from an Archaic shrine assemblage on the Central Acropolis of Kalydon will also be explored.
Academic chapter
2026
Archaic Pottery in Western Achaia
Vasiliki Tsaknaki
This chapter examines the evidence for Western Archaic Polychrome Pottery (WAPP) in western Achaia, and specifically in the area of Olenos where rescue excavations have revealed an organized settlement. A deposit of Late Geometric and Archaic pottery and a secondary deposit in a Corinthian amphora are of particular importance. The discovery of contemporary building remains on the nearby coast confirms the existence of a settlement and probably of local pottery production to meet its needs. An imposing Archaic public building brought to light in the hinterland presupposes the existence of strong authority and increased resources; it is associated with equipment used for social events of a festive and ritual character. The study of (mostly very fragmentary) vessels from Olenos (kantharoi, kraters, oinochoai, plates, etc.) belonging to the categories of grey burnished, painted and, in a very few instances, figured pottery, as well as utilitarian plainwares (amphorai, basins [lekanai], cooking vessels, etc.), allows us to correlate shape, decoration, and function. A further small town on the plateau later occupied by the asty of Dyme has also produced deposits of Archaic pottery, including WAPP. Homogeneous morphological and technical features, as well as the presence of imports alongside local imitations, indicate the circulation of ceramics and confirm domestic production of WAPP. Evidently, the artisans who participated in ceramic production and followed established technological processes and similar technological traditions belonged to the same cultural milieu.
Introduction in anthology
2026
Preface : Reflections on Western Archaic Polychrome Pottery
Birgitta Eder
Thursday, June 11, 2026
Open Access Journal: Mélanges de l'école française de Rome
Collection sur Persée 1881 - 2009 Barrière fixe 2000 Discipline archéologie, études classiques Éditeur actuel École Française de Rome eISSN non disponible DOI 10.3406/mefr Historique de la collection
- 1881-1970 - Mélanges d'archéologie et d'histoire (ISSN :0223-4874)
- 1971-1999 - Mélanges de l'Ecole française de Rome. Antiquité (ISSN : 0223-5102)
- 1971-1988 - Mélanges de l'Ecole française de Rome. Moyen-Age, Temps modernes (ISSN : 0223-5110)
- 1989-1999 - Mélanges de l'Ecole française de Rome. Moyen-Age (ISSN : 1123-9883)
- 1989-1999 - Mélanges de l'Ecole française de Rome. Italie et Méditerranée (ISSN : 1123-9891)
Présentation de la collection
L'École française de Rome publie un périodique, les Mélanges de l'École française de Rome, divisé depuis 1974 en trois séries : Antiquité (MEFRA), Moyen Âge (MEFRM), Italie et Méditerranée modernes et contemporainse (MEFRIM), à compter de deux livraisons annuelles chacune.
Les MEFRA publient des articles portant sur l’histoire, la culture et l’archéologie des mondes anciens en Méditerranée, en particulier en Italie, en Afrique du Nord et dans les Balkans, mais portant également sur les interactions entre cet espace et le reste du monde antique. Ils publient aussi des dossiers thématiques en lien avec les fouilles et les programmes scientifiques de l’EFR, et plus généralement des études relevant de diverses disciplines (histoire, archéologie, archéométrie, épigraphie, philologie, droit etc.), de la Préhistoire à la fin de l’Antiquité.
Les MEFRM ont constitué, de 1971 à 1988, une série commune avec les Temps Modernes et, depuis 1989, une série indépendante avec deux fascicules annuels. Ils proposent des contributions scientifiques originales dans les domaines de l’histoire, de l’archéologie et des sciences sociales sur l’Italie et la Méditerranée du haut Moyen Âge à la Renaissance. La plupart des fascicules contiennent un dossier thématique coordonné par un spécialiste. Les articles, qui comprennent souvent l’édition de sources inédites et des cahiers iconographiques, illustrent les divers champs de la médiévistique contemporaine. Ils sont publiés en français, en italien et en anglais, avec des résumés dans la langue de l’auteur et en anglais.
Les MEFRIM publient des articles d’histoire moderne et contemporaine portant sur l’histoire de l’Italie, de la Méditerranée et ses interactions avec la péninsule italienne, des relations et des échanges franco-italiens. Compte tenu des fonds romains, la revue accorde une place importante à l’histoire de Rome, de l’Église et de la papauté tout en couvrant tous les domaines disciplinaires. Elle est ouverte au droit et aux sciences sociales, en particulier à la géographie, à la sociologie et aux sciences politiques. Elle publie des dossiers thématiques en lien avec les programmes scientifiques de l’École et des sources.
Liens
Les ouvrages et les périodiques publiés depuis l'année 2000 sont, par contre, disponibles en ligne sur le site web de Casalini Digital Division à l'exception des fascicules 280 et 281 de la Collection de l'École française de Rome, du fascicule 4 de « Sources et documents d'histoire du Moyen Âge » et des publications parues dans les collections du Centre Jean Bérard. www.torrossa.it
À partir de 2010 (tomes 122-1) les Mélanges de l'École française de Rome sont aussi disponibles en ligne sur le site de www.revues.org. La Chronique des activités archéologiques devient une revue à part entière accessible uniquement en ligne également sur le site de www.revues.org. La lecture/visualisation des articles et de la Chronique est totalement gratuite:
> journals.openedition.org/mefra/ (Mélanges. Antiquité)
> journals.openedition.org/mefrm/ (Mélanges. Moyen Âge)
> journals.openedition.org/mefrim/ (Mélanges. Italie et Méditerranée modernes et contemporaines)
> journals.openedition.org/cefr/ (Chronique des activités archéologiques)
Mélanges d'archéologie et d'histoire
1960-1969
Mélanges de l'Ecole française de Rome. Moyen-Age, Temps modernes
Mélanges de l'Ecole française de Rome. Antiquité
1971-1979
1980-1989
1990-1999
Mélanges de l'Ecole française de Rome. Moyen-Age
1989-1999
Mélanges de l'Ecole française de Rome. Italie et Méditerranée
1989-1999
See AWOL's full List of Open Access Journals in Ancient Studies


