The volume documents the obliteration of a well over 21 metres deep, discovered within the sacred area of the ‘monumental complex’ of Tarquinia. It is the fifth in the main Tarchna series and stands in continuity with the previous volumes presenting the results of the University of Milan’s excavations at Tarquinia. The first section is devoted to the excavation and closure of the well, reconstructing the stratigraphic palimpsest and the underlying motivations for the intervention. The second section identifies the diagnostic criteria for interpreting the finds, while the third is dedicated to the complete publication of the materials recovered, through contributions from thirty authors. The well contained votive furnishings belonging to a sacred building not yet identified, in use at least from the late fourth century BC. Analysis of the finds suggests a cult associated with the principal female divinity of the ‘monumental complex’. with evidence reaching back to even earlier periods. The body of evidence indicates that these were furnishings once in use within the sacred area, ritually preserved over time and deposited in the well at the moment of its closure, which took place in the second century BC in the context of a solemn ceremony. This obliteration reflects practices shared across the Etrusco-Italic region, involving ritual gestures intended to preserve the memory of earlier cults. Sacred buildings and objects were taken out of use by institutions still politically and religiously autonomous, determined to maintain their memory intact at the dawn of the process that would draw the whole of Etruria into the centralising orbit of Rome.l volume documenta l’obliterazione di un pozzo profondo oltre 21 metri, ritrovato nell’area sacra del ‘complesso monumentale’ di Tarquinia. È il quinto della serie principale della Collana Tarchna e si pone in continuità con i precedenti dedicati ai risultati degli scavi dell'Università di Milano a Tarquinia. La prima parte è dedicata allo scavo e alla chiusura del pozzo, ricostruendo il palinsesto stratigrafico e le motivazioni dell’intervento. La seconda parte individua i capisaldi diagnostici per interpretare i reperti, mentre la terza è volta alla pubblicazione integrale materiali mobili rinvenuti, attraverso i contributi di trenta autori. Il pozzo conteneva suppellettili votive di un edificio sacro non ancora identificato, utilizzato almeno dalla fine del IV secolo a.C. L’analisi dei reperti suggerisce un culto legato alla principale divinità femminile del ‘complesso’, con testimonianze che risalgono anche a epoche precedenti. L'insieme delle attestazioni indica che si trattasse di suppellettili un tempo in uso nell'area sacra, conservate ritualmente nel tempo e gettate nel pozzo al momento della sua chiusura, avvenuta nel II secolo a.C. con una cerimonia solenne. Questa obliterazione riflette pratiche condivise nell’area etrusco-italica, con gesti volti a preservare la memoria di culti pregressi. Edifici e oggetti sacri vengono dismessi da istituzioni ancora autonome a livello politico e religioso, che intendono continuare a mantenerne saldamente la memoria, all'alba di quel processo che porterà tutta l’Etruria ad essere assorbita dall’orbita accentratrice di Roma.ISBN
979-12-5510-322-6, 979-12-5510-324-0, 979-12-5510-348-6Publisher
Milano University PressPublisher website
https://milanoup.unimi.it/Publication date and place
Milano, 2026-04-23Imprint
Milano University PressSeries
Tarchna,Classification
Landscape archaeologyPages
Vol. 1: 698 - Vol. 2: 746
Friday, July 10, 2026
Tarquinia. Scavi sistematici nell'abitato. Il pozzo del 'complesso monumentale' e la sua sigillatura
The Return of the Golden Age from Antiquity to the 21st Century: Receptions of a Classical Motif
This book represents the first reception history of the classical myth of the “Golden Age” from Antiquity up until the present. The introduction proposes “Golden Age thinking” as a set of connected ideas about the flexible organization of time, morality and divine interventions. The case-studies reveal the different ways this has been and still is being used to promote a particular vision of the future by connecting it to an idealized vision of a lost past. Together they offer a toolkit for understanding this motif’s enduring power, and reconstruct the trajectory during which Greco-Roman antiquity, from being the origin of the Golden Age myth, was transformed into a kind of Golden Age itself.
eBook published on:June 23, 2026eBook ISBN:9789004762848Front matter:12Main content:376
Pourquoi lire en traduction ? La Bible, un cas d'école
La Bible est (presque) toujours lue en traduction. C’est même parce qu’elle est traduite qu’elle peut se transmettre et nourrir l’imaginaire des lecteurs et lectrices. Mais dans les faits, personne n’a lu la même version du texte. Claire Placial rappelle ainsi que la Bible n’existe pas : il n’y a que des Bibles. D’une édition à l’autre, d’une traduction à l’autre, non seulement la lettre change, mais aussi la disposition (en prose, en vers libres, en vers réguliers), révélant une pluralité de lectures qui en fait toute la richesse. Aboutissement de 15 ans de recherche et d’enseignement en littérature comparée, cet ouvrage s’appuie sur l’étude du cas de la Bible pour renouveler notre regard sur tous les textes littéraires en traduction. De la lecture solitaire à l’étude en classe, l’autrice revendique que nous gagnons à lire des textes traduits, car ils portent en eux à la fois le texte d’origine, et la lecture qu’en a faite le traducteur ou la traductrice. L’étude des traductions est ainsi une école de la lecture qui nous ouvre à la littérature mondiale.
Éditeur : Presses de l’Inalco
Lieu d’édition : Paris
Publication sur OpenEdition Books : 8 juillet 2026
ISBN numérique : 978-2-85831-483-6
DOI : 10.4000/16j0v
Collection : TransAireS
Année d’édition : 2026
ISBN (Édition imprimée) : 978-2-85831-482-9
Nombre de pages : 500
Introduction
Une traductologue au Haut-KoenigsbourgLire
Lire
IntroductionChapitre 1
Lire en traduction : un état des lieuxChapitre 3
Le cas BabelChapitre 4
Lire la poésie biblique en traductionÉtudier
Étudier
IntroductionÉcrire, traduire
Écrire, traduire
IntroductionChapitre 7
Les intertextes bibliques dans les œuvres littéraires : des médiations traductives invisibles ?Chapitre 8
Le cas PasoliniChapitre 9
Le cas HeineVoir les yeux
Voir les yeux
IntroductionChapitre 10
La traduction comme médiation
The Iconography of ‘Otherness’ in Pre-Modern Visual Art: A Cross-Cultural Approach
The concept of ‘otherness’ or ‘othering’ has been a prominent topic in sociology and anthropolo-gy in the last decades. It has also recently been examined in historical disciplines, particularly with regard to pre-modern times, and taken from philological, historical, and visual studies perspec-tives. In the past, however, most of these studies on ‘otherness’ and similar phenomena, such as (social) inequality, dependency, and inclusion/exclusion, focused on specific regions, cultures, and periods. In contrast, the methodological approach used in this volume, is based on transcul-tural and diachronic comparisons. This allows us to look at a broad range of images of ‘others’ stemming from different pre-modern societies (prior to 1800 CE) around the globe and to com-pare the role of ‘otherness’ and the use of ‘othering’ as a pictorial strategy in various historical contexts. The volume includes case studies from Bronze and Iron Age Near East and Egypt, Late Bronze Age and Archaic-Classical Greece, pre-Roman Italy, Medieval and Early Modern Europe as well as pre-modern South Asia.
eBook published on:July 6, 2026eBook ISBN:9783112251010Hardcover published on:July 6, 2026Hardcover ISBN:9783112251003Front matter:6Main content:290Illustrations:86Tables:1 Open AccessFrontmatter
I Open AccessContents
V Open AccessMartin Bentz and Patrick ZeidlerIntroduction
1Ancient Egypt and Near East Open AccessRichard Bußmann and Frederik RognerOthering as a Pictorial Strategy in Ancient Egypt: From State Formation to Empire (ca. 3800–1200 BC)
11 Open AccessFriedrich Wilhelm WeigelImages Worth a Thousand Words: The Construction of Social Bodies, Their Relations, and “Otherness” in the Visual Cultures of Early Mesopotamian Societies
41 Open AccessDavide NadaliObjectification of the Body of the Other in Visual Evidence from the Ancient Near East
81 Open AccessKaren SonikMaking Monsters: The Body and Identity in Mesopotamia’s Visual Arts and Literature
99Ancient Greece and Italy Open AccessFritz BlakolmerForeigners, Enemies, Slaves, Children, and Further ‘Others’: Alterity in Minoan and Mycenaean Iconography
129 Open AccessLuisa BalandatVisualizing the Tabooed: Lame Hephaistos and Wounded Patroklos as Ambivalent Iconographies of Otherness
159 Open AccessPatrick ZeidlerEnslaved Persons, Talismans, and More? The Iconography and Ambivalent Meaning of Aethiopians in Ancient Etruscan Art
183Medieval and Early Modern Europe Open AccessHilja DrostePerpetuation of Negative Stereotypes: Depiction of the Rom✶nja in Northern Alpine Art of the Late Middle Ages
211 Open AccessBirgit Ulrike MünchA Small-Statured Fool or a Perceivedly Foolish Court Dwarf? Depicting Early Modern Disability at Court between Body and Role
239Pre-Modern South Asia Open AccessJulia A.B. HegewaldSuperiority, Distinction and ‘Otherness’: The Iconography of Dependency in the Traditional Arts of India
257 Open AccessNotes on Contributors
Thursday, July 9, 2026
Open Access Journal: Annals of the Náprstek Museum
Annals of the Náprstek Museum, a National Museum journal, publishes the results of scientific research which have not been published yet, and which deals with material and spiritual culture and social relations in non-European cultures. Since its foundation in 1962 it was published once a year, since 2013 two issues per year are published. Each issue is structured into four sections: Papers, Research reports, Materialia, Revies of the literature dealing with non-European cultures
. Since 2008 the journal has been included to EBSCO database with full-text searching, in a group "Central & Eastern European Academic Source (CEEAS)", and in ERIH PLUS.
