From the
earliest periods of Greek history, bone, antler, ivory, and other
materials were consistently created into objects for use within social
practices, and archaeological evidence suggests that these objects took
on new forms and functions during the Early Iron Age and early Archaic
period (ca. 1100–600 BCE). Between the 11th and 8th centuries BCE,
worked animal objects were sporadically used as grave goods, while by
the 7th century, hundreds of such objects were dedicated at major
sanctuaries across the Greek world, including at Sparta, Ephesus, and
Thasos. In this dissertation, I ask how worked animal objects were
created and understood during a period of great social change in the
Greek world. Using perspectives from the environmental humanities, aimed
at de-centering the human, as well as problematizing the nature-culture
divide, I posit that worked animal objects acquired values rooted in
their organic histories.
Within my dissertation, I examine how the
larger patterns of ivory production in the Iron Age Mediterranean, as
well as the exploitation of elephant populations in the Near East,
impacted the development of ivory carving in the Greek world. The
creation of these objects coincided with a return to long-distance trade
after a period of disruption brought on by the instability at the end
of the Bronze Age. While the Mycenaeans used foreign trade connections
to maintain a tradition of ivory carving, archaeological evidence
suggests that the availability of the material was limited between the
start of the Early Iron Age (ca. 1100 BCE) and the 9th century BCE. With
the increase of other worked animal object dedications in the 7th
century, ivory objects took on a variety of new forms in Greek
sanctuaries. By the end of the century, craftspeople were using ivory to
create larger, more complex works (e.g., the chryselephantine statues
at Delphi).
This dissertation also considers how worked animal
objects were employed within Greek social contexts. By comparing finds
from funerary and dedicatory contexts, I demonstrate that specific types
of worked animal objects (e.g., ivory carvings of recumbent animals,
circular seals, miniature double axes) were reserved for use in
sanctuaries and employed across the Greek world. However, certain
sanctuaries also show evidence for unique forms of worked animal object
dedications which were not found at other sites (e.g., worked long bone
shafts at the sanctuary of Artemis Orthia at Sparta, decorated bone
shafts at the Kamiros well on Rhodes). I conclude that, within the venue
of dedication, worked animal objects had a specific value rooted in the
organic origins of the material.
Finally, using the site of
ancient Methone as a case study, I examine the production practices used
to create worked animal objects. Methone shows evidence for the
production of worked animal materials (including ivory) dating to
between the end of the 8th century/start of the 7th century and the 6th
century, a period concurrent with the increase of dedications of such
objects across the Greek world. I interpret these technical acts as a
form of human-animal relationship, in which craftspeople are interacting
with the organic qualities of the materials. Worked animal materials
from Methone demonstrate that craftspeople used a diversity of wild and
domesticated species to make a variety of objects.