Saturday, February 21, 2026

Open Access Journal: Onoba. Revista de arqueología y antigüedad

[First posted in AWOL 24 April 2016, updated 21 February 2026]

e-ISSN: 2340-4027
ISSN: 2340-3047  
Encabezado de página
      Onoba, Revista de Arqueología y Antigüedad, con ISSN 2340-3047, es una publicación del Área de Arqueología de la Universidad de Huelva, de periodicidad anual y editada desde el año 2013. Esta revista utiliza el sistema de revisión externa por expertos (peer-review) en el conocimiento de los objetos investigados y en las metodologías utilizadas en las investigaciones. Adopta y se adhiere a las normas de publicación establecidas por la APA.
Onoba, Revista de Arqueología y Antigüedad, tiene como objeto la difusión de los resultados de la investigación teórica y técnica sobre arqueología y mundo antiguo. Los trabajos deben ser originales, no publicados, ni estar siendo considerados en otra revisa para su publicación. Serán considerados para publicación los siguientes tipos de trabajos: investigaciones originales, novedades recientes,  y reseñas críticas sobre textos recién publicados.

Núm. 13 (2025)

Publicado: 2025-12-17 

Artículos

Recensiones




Números anteriores
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Open Access Journal: Bulletin de Correspondance Hellénique (recent issues)

[First posted in AWOL 2 August 2019, updated 21 February 2026]

Bulletin de Correspondance Hellénique [Back issues available at Persée] [Accessible also at CEFAEL]
eISSN: 2241-0104 

Bulletin de correspondance hellénique
Depuis 1877, le Bulletin de correspondance hellénique rend compte de la recherche scientifique sur la Grèce ancienne, de la préhistoire à l’époque byzantine, dans les domaines de l’archéologie, de l’histoire et de l’épigraphie. Publié par l’École française d’Athènes, le Bulletin est semestriel. Les volumes 1877 à 2010 sont disponibles sur Persée.

Varia

 

 

See AWOL's full List of Open Access Journals in Ancient Studies

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Open Access Journal: Ariadne

Ariadne journal logo
Ariadne is edited by an Editorial Board chaired by the Dean of the School of Philosophy. Board members are appointed by each of the three Departments of the School.
Ariadne publishes original research, book reviews and review articles in all the research fields covered by the School of Philosophy of the University of Crete.
A special section is dedicated to the annual teaching and research activities of the Faculty and the events organized by the School and its three Departments.
 
Ariadne welcomes submissions by all members of the international academic community who specialize in the fields mentioned above. The journal follows a double-blind peer-review process.
Submission of a paper automatically implies acceptance by the author of the editorial terms and policies of Ariadne. Authors are personally responsible for the content and form of their submissions. They are expected, for instance, to acknowledge their debts and sources, to have secured the rights for publication of photos and all other illustrative material, etc.
The Editorial Board does not accept papers, book reviews or review articles that are simultaneously submitted to other journals. Authors are required to submit for consideration final versions. Once the review process has started the Editions Committee does not accept changed versions.
Papers, book reviews and review articles are submitted in electronic form (MS Word and PDF) by email to the Dean of the School of Philosophy: dean@phl.uoc.gr or by mail to:

Dean of the School of Philosophy
University of Crete, Gallos Campus
741 00 Rethymnon

Upon publication authors receive an electronic offprint of their contribution in PDF form and two copies of the printed volume.

Volume 31 (2024 – 2025)
Vol. 31 (2025)

Full Issue

Articles

Honorary Doctorate Award Ceremony

In memoriam

Conferment of Emeritus Professorships

Honorary Ceremony

 

 Archives

 See AWOL's full List of Open Access Journals in Ancient Studies


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Mummy Portraits of Roman Egypt, Volume 2 : Emerging Research from the APPEAR Project

Mummy Portraits of Roman Egypt, Volume 2 Emerging Research from the APPEAR Project
Edited by Marie Svoboda and Caroline R. Cartwright

Just over a thousand funerary portraits from Roman Egypt, most of which were separated from their interred mummified remains, survive in museums around the world. These fascinating ancient paintings offer an unparalleled opportunity for viewers to come face-to-face with people who lived and died some two thousand years ago.

The international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and gather research findings into a shared database. This second volume of Mummy Portraits of Roman Egypt contains seventeen scholarly papers from the APPEAR conference hosted in 2022 at the Allard Pierson Museum, Amsterdam. Conservators, scientists, and scholars presented new research on topics such as technical imaging; non-destructive analytical techniques; provenance and collecting; treatment histories; connoisseurship and forgeries; comparisons of works across institutions; and scientific studies of woods, pigments, coatings, and binders. With the most up-to-date information available about the production, materiality, function, and history of these painted funerary artifacts, this volume will be a valuable resource to all who research ancient art.

 
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Friday, February 20, 2026

Open Access Issues of Arethusa

Cover thumbnail for Arethusa 

Vol. 59, No. 1 (2026) 

Supplication, Speech, Eating: Maurice Blanchot and Niobe in the Iliad

Ann Smock, Mario Telò
pp. 1-26
DOI: https://doi.org/10.1353/are.2026.a982370
open access

Pornographic Enargeia and Counter-Narrative Desire in the Onos

Anna Athanasopoulou
pp. 27-65
DOI: https://doi.org/10.1353/are.2026.a982371
open access

Prometheus’s Prophecy of the Future Itinerary of Io in Prometheus Bound

Yoshinori Sano
pp. 67-94
DOI: https://doi.org/10.1353/are.2026.a982372
open access

The Transmission of the Theognidean Tradition as a Cultural Memory Practice

Jan Skarbek-Kazanecki
pp. 95-118
DOI: https://doi.org/10.1353/are.2026.a982373
open access


 

Table of Contents

Introduction: "Animals Under Empire"

Jacqueline Arthur-Montagne, Edward Kelting
pp. 129-142
DOI: https://doi.org/10.1353/are.2025.a962486
open access

Pets as Humans and Humans as Pets in Imperial Rome

Sian Lewis
pp. 143-164
DOI: https://doi.org/10.1353/are.2025.a962487
open access

Empire of Ants

Eleni H. Manolaraki
pp. 165-193
DOI: https://doi.org/10.1353/are.2025.a962488
open access

Slavery and Interspecies Solidarity in Androcles and the Lion: Egyptian and Aesopic Perspectives

Edward Kelting
pp. 195-224
DOI: https://doi.org/10.1353/are.2025.a962489
open access

Animal Difference: Phūsis as a Force in Aelian's De Natura Animalium

Ellen Finkelpearl
pp. 225-250
DOI: https://doi.org/10.1353/are.2025.a962490
open access

Making Manimals: School Fables and Physiognomy in the Roman Empire

Jacqueline Arthur-Montagne
pp. 251-305
DOI: https://doi.org/10.1353/are.2025.a962491
open access

Table of Contents

Slavery’s Rome

Walter Scheidel
pp. 1-25
DOI: https://doi.org/10.1353/are.2025.a953229
open access

Julius Caesar and Origin Stories in the Works of Josephus

Jennifer Gerrish
pp. 27-48
DOI: https://doi.org/10.1353/are.2025.a953230
open access

Reading (With Heliodorus) Skin Color as Difference in Homer’s Odyssey

Carol Dougherty
pp. 49-73
DOI: https://doi.org/10.1353/are.2025.a953231
open access

Rape and Revenge in the Homeric Hymn to Aphrodite

Carman Romano
pp. 75-100
DOI: https://doi.org/10.1353/are.2025.a953232
open access

The Ancient Photograph: Mirror and Time in Horace Odes 4.10

Robert A. Rohland
pp. 101-125
DOI: https://doi.org/10.1353/are.2025.a953233
open access

Books Received

pp. 127-128
DOI: https://doi.org/10.1353/are.2025.a953234
open access

 

 
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