The Ancient Theatre Archive: A Virtual Reality Tour of Greek and Roman Theatre Architecture
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Showing posts with label Theatre. Show all posts
Showing posts with label Theatre. Show all posts
Friday, May 1, 2020
The Ancient Theatre Archive: A Virtual Reality Tour of Greek and Roman Theatre Architecture
[First posted in AWOL 2 May 2015, updates 1 May 2020]
The Ancient Theatre Archive: A Virtual Reality Tour of Greek and Roman Theatre Architecture
The Ancient Theatre Archive: A Virtual Reality Tour of Greek and Roman Theatre Architecture
Tuesday, November 12, 2019
Open Access Journal: Λογεῖον: περιοδικό για το αρχαίο θέατρο - Logeion: A Journal of Ancient Theatre
[First posted in AWOL 23 September 2013, updated 12 November 2019]
Λογεῖον: περιοδικό για το αρχαίο θέατρο - Logeion: A Journal of Ancient Theatre
ISSN: 2241-2425
Λογεῖον: περιοδικό για το αρχαίο θέατρο - Logeion: A Journal of Ancient Theatre
ISSN: 2241-2425
Στο Λογεῖον δημοσιεύονται πρωτότυπες επιστημονικές εργασίες στα ελληνικά, αγγλικά, γαλλικά, γερμανικά και ιταλικά, οι οποίες αναφέρονται σε όλες τις όψεις του αρχαίου ελληνικού και ρωμαϊκού θεάτρου και δράματος, στην πρόσληψη του από το νεότερο θέατρο, τη λογοτεχνία, τον κινηματογράφο και τις άλλες τέχνες, καθώς και στη σύγκριση του με το θέατρο άλλων περιόδων και γεωγραφικών περιοχών. Κανένα κείμενο δεν αποκλείεται εξαιτίας του τρόπου θεώρησης ή της οπτικής του γωνίας, ενώ ιδιαίτερη έμφαση δίνεται στη διεπιστημονική προσέγγιση.
Το περιοδικό κυκλοφορεί σε έντυπη μορφή στο τέλος κάθε έτους από τις Πανεπιστημιακές Εκδόσεις Κρήτης. Επίσης κυκλοφορεί σε ηλεκτρονική μορφή στο διαδίκτυο με δυνατότητα ελεύθερης πρόσβασης (Open Access) σε κάθε ενδιαφερόμενο. Η ηλεκτρονική έκδοση προηγείται χρονικά. Η αρίθμηση των σελίδων στην ηλεκτρονική έκδοση του τρέχοντος τόμου είναι προσωρινή. Στην έντυπη έκδοση υπάρχει δυνατότητα για διορθώσεις και προσθήκες.
Logeion publishes original scholarly articles in modern Greek, English, French, German, and Italian on every aspect of ancient Greek and Roman theatre and drama, including its reception in modern theatre, literature, cinema and the other art forms and media, as well as its relation to the theatre of other periods and geographical regions. All types of methodological approaches and theoretical perspectives are welcome. Emphasis will be placed on interdisciplinary approaches.
The Journal will be printed at the end of each calendar year by Crete University Press as a consecutively paginated issue. Prior to the publication of each year’s printed issue, the Journal will be published as a freely accessible (Open Access), provisionally paginated PDF document in order both to ensure that articles are published relatively quickly, and to allow authors to benefit from readers’ responses before the final printing. For the printed issue authors will be able to make minor revisions to the main text of the electronic version or append addenda to their articles.
KYRIAKOS TSANTSANOGLOU
Paraleipomena to the Reconstruction of Aeschylus’ Laïos- SARA TOSETTI
Humor verbale nella commedia dorica e nel mimo- ΓΙΑΝΝΗΣ ΛΙΓΝΑΔΗΣ
Βρεφοκόμοι, βρέφη και βρεφική σκευή στον Ευριπίδη- ΝΙΚΟΣ ΧΑΡΑΛΑΜΠΟΠΟΥΛΟΣ
Θεατρική (εγ)γραφή στον πλατωνικό Μένωνα- G. M. SIFAKIS
Όψις: Η παρερμηνεία ενός όρου της Ποιητικής του Αριστοτέλη- TRIANTAFYLLIA GIANNOU
Theatre and Music in Roman Macedonia- KATERINA PHILIPPIDES
The Incantation in Seneca's Medea and its Dramatic Time- ROSSANA ZETTI
Deciphering the Politics of Anouillh’s Antigone- ANTONIS K. PETRIDES
“Όμοια σχεδόν τα γυμνά σώματά τους, ρωμαλέα” : Τέσσερα ποιήματα του Γιάννη Ρίτσου για τον μύθο των Επτά επί Θήβας- ΚONSTANTINOS KYRIAKOS
Between two Centuries - Contemporary Greek Cinema and the Readings of Ancient Greek Tragedy- VALENTINA DI NAPOLI
Book Review: Ancient Theatre Buildings- DIMITRIOS KANELLAKIS
Book Review: On Aristophanes’ Birds- KATERINA SYNODINOU
Προσωπογραφικό/Personal: Φάνης (Θεοφάνης) Ι. Κακριδής (1933–2019)
See AWOL's full List of Open Access Journals in Ancient Studies
Sunday, October 14, 2018
Representações de teatro clássico no Portugal contemporâneo I-III
Representações de teatro clássico no Portugal contemporâneo
DE E SILVA, Maria Fátima Sousa - Representações de teatro clássico no Portugal contemporâneo. Coimbra: [s.n.]. ISBN 972-772-017-X. Google Scholar BibTex RTF Tagged XML RIS
Representações de teatro clássico no Portugal contemporâneo - Vol. II - Representações de teatro clássico no Portugal contemporâneo - Vol. II. Lisboa: [s.n.]. ISBN 972-772-227-X. Google Scholar BibTex RTF Tagged XML RIS
DE E SILVA, Maria Fátima Sousa - Representações de teatro clássico no Portugal Contemporâneo: vol. III. Coimbra: [s.n.]. ISBN 978-989-26-1003-0 (PDF). Google Scholar BibTex RTF Tagged XML RIS
Friday, January 5, 2018
Barefaced Greek
Barefaced Greek
Barefaced Greek makes fresh, new films to celebrate Classical Greek drama in performance. Our accessible shorts use text from Greek drama in the original language. We want to invigorate the online presence of Classical drama for an international audience, and inspire a love of the Greek language for new generations.
Tuesday, May 21, 2013
Our Heroic Debate with the Eumenides
Our Heroic Debate with the Eumenides
Greek national and cultural identities consist, to a large extent, of clusters of cultural memory shaped by our ongoing dialogue with the classical past. In this dialogue between modern Greece and classical antiquity, Greek tragedy takes pride of place. For a long time a part of the Western canon, Greek tragedy has proved exceptionally malleable as an interpretive lens through which to focus contemporary crises, ideological tensions, and political dynamics.The aim of the ‘Eumenides’ project is to catalogue and analyze the multifarious ways in which ancient Greek tragedy and tragic myth have been adapted, reinterpreted, revised, or re-imagined in modern Greek poetry and theatre from the late 19th century to the present day. In particular, it will explore the various ways in which Greek tragedy has been a crucial factor in the formation of a poetics and a politics of modern Greek national and cultural identity.One of the project’s fundamental objectives is to address issues of ‘influence’ or (better) intertextuality and reception. In other words, we will explore how modern Greek authors establish protocols for the creation of meaning(s) by inviting audiences to respond not only to the text itself but to a network of texts invoked by it—in this case, to a network of Greek tragic texts that are filtered or encoded through their modern successors. ‘Influence’, intertextuality and reception cover a wide range of textual strategies and may extend from verbatim citations or verbal allusions through appropriations of themes and motifs to cryptic references or largely thematic affinities. To take but a few examples, the plot and language of Euripides’ Helen are crucial to the articulation of a poetics of nationhood in George Seferis’ “Helen” and other poems reflecting his Cypriot experience (LogbookIII, 1955). Further, in Yannis Ritsos’ Fourth Dimension, tragic myth is confronted with intellectual and political currents of the mid-20th century, especially Sartrian existentialism, which fundamentally altered the Greek cultural landscape. In an emblematic piece of modern Greek theatre, Iakovos Kambanellis’ trilogy The Supper, one witnesses a refashioning, now good-humoured and now glum, of the Labdacid and Atreid myth.Cut down to size, and transplanted into a contemporary, and rather humble domestic setting, the cornerstones of classical Greek tragedy are turned by Kambanellis into mythical filters through which to approach social or individual pathogenies that may be seen as characteristic of modern Greece. Last but far from least, allusions to Greek tragedy, though sparse, are an integral part of work published by major Cypriot poets such as K. Charalambides, and are used largely as a tool for collective (self-)criticism or for furthering the debate on national and cultural identity.
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