Edited by:
Michele Cammarosano
Across the most diverse societies, the reuse of writing surfaces in
contexts such as learning to write, note-taking, literary creation, and
bookkeeping has been not only desirable but essential to optimising
resources. In these contexts, it has been typical to use erasable media
of various kinds – a practice which in turn has had important
implications for palaeography, literary creation, and virtually every
aspect related to writing. Manuscript cultures addressed the quest for
rewritability through using permanently recyclable materials such as
clay and wax tablets, special technologies such as erasable coatings,
and ingenious strategies for reusing papyrus, parchment, paper, wood,
and more. This volume systematically explores the fascinating
intersection between the potential ephemerality of the written word and
the reusability of its supports. It combines a theoretical framework on
‘rewritability’ with case studies on materials, related technologies and
their interplay with competing techniques, spanning from ancient
Mesopotamia to present-day Nigeria, from Egypt to Japan, from Greece and
Rome to the Arab world. In doing so, the volume illuminates a crucial
aspect of cultural history relevant to anyone studying the written word.
eBook ISBN:
9783111682983
Hardcover ISBN:
9783111682730
Audience(s) for this book
Scholars of literary, Islamic, classical, medieval, manuscript studies, Egyptology, history, codicology
Safety & product resources
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Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
Open Access
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Michele Cammarosano
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1 |
Marilena Maniaci
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63 |
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Clay and Wax
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Carmen Gütschow
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75 |
Jon Taylor
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115 |
Cécile Michel
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161 |
Jamie Novotny
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191 |
Anna Willi
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217 |
Serena Ammirati
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255 |
Georgios Boudalis
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263 |
Thomas Wozniak
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309 |
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Papyrus, Parchment, Paper, and Wood
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Elena L. Hertel
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335 |
Paola Buzi
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357 |
Sara Fani
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373 |
Claudia Colini, Giuseppe Marotta, Sowmeya Sathiyamani, Valentina Yañez Langner, Annie Muller, Katerina Grigoriadou and Chen Yu
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411 |
Andrea Brigaglia and Dahir Lawan Mu’az
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439 |
Antonio Manieri
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