Saturday, March 14, 2020

Open Access Journal: Thersites: Journal for Transcultural Presences & Diachronic Identities from Antiquity to Date

 [First posted on AWOL 21 July 2016, updated 14 March 2020]

Thersites: Journal for Transcultural Presences & Diachronic Identities from Antiquity to Date
ISSN: 2364-7612
http://www.thersites.uni-mainz.de/public/journals/1/homeHeaderTitleImage_de_DE.png
thersites is an international open access journal for innovative transdisciplinary classical studies founded in 2014 by Christine Walde, Filippo Carlà and Christian Stoffel.
  • thersites expands classical reception studies by reflecting on Greco-Roman antiquity as present phenomenon and diachronic culture that is part of today’s transcultural and highly diverse world. Antiquity, in our understanding, does not merely belong to the past, but is always experienced and engaged in the present.
     
  • thersites contributes to the critical review on methods, theories, approaches and subjects in classical scholarship, which currently seems to be awkwardly divided between traditional perspectives and cultural turns.
     
  • thersites brings together scholars, writers, essayists, artists and all kinds of agents in the culture industry to get a better understanding of how antiquity constitutes a part of today’s culture and (trans-)forms our present.
Ancient Greek and Roman Multi-Sensory Spectacles of Grief
Vol. 9 (2019)
Is grief for the death of a loved one a universal, trans-historical emotion? What role does the historical, political and socio-cultural context play in how grief is understood, processed, performed, written about and represented in art? This special issue of thersites seeks to address these questions with reference to the cultures of ancient Greece and Rome. Drawing on a wide range of both textual and material culture evidence, the six papers that make up this issue investigate how the ancient Greeks and Romans reacted to the death of relatives, friends and members of their wider community, and how it affected their lives, societies and sense of identity. The first half of the issue is devoted to the portrayal of grief in the Homeric epics and Greek tragedy, while the second examines a rich variety of Roman evidence from inscriptions to art, literature and philosophy. Our work intersects with wider debates in the cross-disciplinary field of the History of Emotions, but some of the papers also reference recent scholarship on the senses in antiquity.

Full Issue

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    Vol. 6 (2017)
    While studies in the field of Classical Receptions have flourished in recent years, in particular regarding the visual and performing arts, advertising has until now been substantially neglected, owing to its (elitist) exclusion from many definitions of “art” or “culture”. But advertising – through its very aim to appeal to a broad public – is a highly relevant indicator of the presence, significance and symbolic value of Classical Antiquity in popular culture. Ancient themes and figures are in fact regularly present in modern Western advertising, constituting familiar reference points in which many of the “values” that ads attempt to communicate find a reliable symbol or pictogram that can be immediately recognized by the public – Hercules (for strength) being possibly the most obvious example. Similarly, the high prestige attributed to the Classical world and its knowledge until just a few decades ago is often used in the Western world to confer an immediate credibility to the product or element being advertised.
    Ancient forms of advertising have also been substantially neglected in scholarship, eventually studied only by scholars of ancient economy and almost only ever in reference to Rome. Nevertheless, as is the case today, adverts were part of everyday life for the inhabitants of ancient cities, who covered their walls with offers, promises and public announcements of every kind, private and official. The very term “advertising” derives from the Latin adverto or “turn towards”, hence also “draw attention to” – a word that captures the very essence of advertising. This paves the way to multiple potential approaches that link to social and cultural studies, such as the relationship between advertising and identity.
    This relationship is, once again, central to studying the presence of Antiquity in modern advertising: should the audience identify with the Ancient Greeks and Romans, recognize them as a part of their cultural heritage, or should they feel different from them? How is such a message constructed, and what pre-knowledge of the Classical world do the ad-creators expect from their targeted audience?
    As within our multimedia saturated world, ads were also acknowledged and perceived in different ways in ancient times. They could be read or seen but also heard, appearing in the form of inscriptions, paintings, and announcements read aloud by the kerykes/praecones.
    This issue therefore contains contributions that, whether they concern Antiquity or the modern world, highlight the multimedia character of advertising and interrogate its multisensorial communication and reception.

  • War of the Senses – The Senses in War Interactions and Tensions between Representations of War in Classical and Modern Culture
    Vol. 4 (2016)
    This special issue of thersites (edited by Annemarie Ambühl) addresses artistic representations of war in literature and other media, focusing especially on the role of sensory perceptions and emotions as well as on gender issues. In line with the transcultural and diachronic outlook of thersites, issues of reception are approached either by applying modern theories and methods to the interpretation of classical texts or by comparing and contrasting ancient and modern responses to war and violence and their impact on human beings and society in general. The issue features contributions that range from Homer to postmodern novels and movies, as well as reviews of thematically related recent publications. Within this wide horizon two thematic clusters emerge: One group of papers studies the narratological, aesthetic and psychological dimensions of (fictional) descriptions of battles and other forms of violence in Latin literature, especially in Caesar’s war commentaries and the epics of Lucan, Valerius Flaccus and Statius, while another group of papers looks at novels that directly or indirectly reflect on experiences from both World Wars and the recent wars in Iraq through a complex engagement with classical narratives and concepts derived from classical antiquity. 
     
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    Vol. 2 (2015)


See AWOL's full List of Open Access Journals in Ancient Studies

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