NEMO-Online: Near-Eastern Musicology Online
ICONEA, CERMAA and PLM are research groups based in London – UK (ICONEA ), in Beirut – Lebanon (CERMAA ) and in Paris – France (PLM).In 2011, ICONEA and CERMAA merged and launched a new periodical of Near and Middle-Eastern music research, in the widest sense of the term, under the name of NEMO-Online (Near-Eastern Musicology
- ICONEA (International Conference of Near-Eastern Archaeomusicology) specialises in Near and Middle-eastern archaeomusicology.
- CERMAA (CEntre de Recherches sur les Musiques Arabes et Apparentées) is dedicated to research on maqām music and modality.
- PLM (Patrimoines et Langages Musicaux) is a professional research group of musicologists, most of them being also musicians, working at Sorbonne Université in the realm of history of music, ethnomusicology, music analysis and/or theory of music.
Articles
(click on the title of each article for the corresponding pdf version / cliquer sur les titres des articles pour télécharger les pdf).
NEMO-Online Vol. 1 No. 1 Reissue 2016/12 : (all pdf articles in this volume are bookmarked for titles and subtitles / tous les articles au format pdf de ce volume contiennent des marque-pages correspondant aux titres et sous-titres)
Editor’s letter / Éditorial / كلمة الناشرين : Questioning Modality / La modalité en question / بخصوص المقامية
Contents / contenu / ملخّص :
- Erik Marchand : “Une musique modale de tradition populaire en Occident – Tribune”, NEMO-Online11 |2012-11| p. 5–10.
- François Picard : “Back to modality. Musical Modes Revisited”, NEMO-Online11 |2012-11| p. 11–18.
- Markos Skoulios : “Modern theory and notation of Byzantine chanting tradition – A Near Eastern musicological perspective”, NEMO-Online11 |2012-11| p. 19–38.
- Jacob Olley : “Modal diversity in early Ottoman music – The case of makâm Sabâ”, NEMO-Online11 |2012-11| p. 39–54.
- Rosy Azar Beyhom : “La modalité écrite. Un exemple avec Mīkhāʾīl Mashāqa au XIXe siècle”, NEMO-Online11 |2012-11| p. 55–66.
- Amine Beyhom : “Kashf al-Asrār Ꜥan Karkarat al-Aḥbār fī Taʾwīl al-Adwārكشف الأسرار عن كركرةِ الأحبار في تأويل الأدوار”, NEMO-Online11 |2012-11| p. 67–88.
- Richard Dumbrill : “Modus Vivendi”, NEMO-Online11 |2012-11| p. 89–116.
NEMO-Online Vol. 2 Nos. 2&3 Reissue 2016/12 : (all pdf articles in this volume are bookmarked for titles, subtitles and figures / tous les articles au format pdf de ce volume contiennent des marque-pages correspondant aux titres, sous-titres et figures)
Editor’s letter / Éditorial / كلمة الناشرين : Modality and Musical Myths / Modalité et mythes musicaux / المقامية والخرافات الموسيقية
Contents / contenu / ملخّص :
- NEMO-Online No. / no 2 : Modality in all its forms / La modalité dans tous ses états / المقامية في مختلف أشكالها
- Amine Beyhom : “Un lexique de la modalité,” Near Eastern Musicology Online 2 2 |2013-11| p. 5–24.
- Margo Schulter : “Systematist Buzurg and its Relatives: Notes on a Zalzalian Modal Genre,” Near Eastern Musicology Online 2 2 |2013-11| p. 25–49.
- Richard Dumbrill : “Mesopotamian Sonic Proto-Theory,” Near Eastern Musicology Online 2 2 |2013-11| p. 51–61.
- NEMO-Online No. / no 3 : Facts and Fiction in Near-Eastern music / Légendes et vérités dans les musiques du Proche-Orient / حقائق وخرافات في موسيقى الشرق الأدنى
- Sandra Fleury : “Le traitement de la musique dans l’iconographie processionnelle du sacrifice grec : entre la thusia et le sacrifice humain,” Near Eastern Musicology Online 2 3 |2014-11| p. 63–74.
- Richard Dumbrill : “The myth of the ‘zither’ on the Nimrud Pyxis – and others,” Near Eastern Musicology Online 2 3 |2014-11| p. 75–85.
- Amine Beyhom : “Dossier : Influence des théories européanisées du xixe siècle sur la notation et la pratique des modes de la musique arabe et d’autres musiques, à travers la mise en exergue du mythe du genre ḥijāz semi-tonal,” Near Eastern Musicology Online 2 3 |2014-11| p. 87–177.
- Power Point show for the dossier (59 MB)
- Rosy Azar Beyhom : “A musical tradition for the 22nd century : A report on a cultural Lebanese initiative,” Near Eastern Musicology Online 2 3 |2014-11| p. 179–181.
NEMO-Online Vol. 3 : (all pdf articles in this volume are bookmarked for titles, subtitles and figures / tous les articles au format pdf de ce volume contiennent des marque-pages correspondant aux titres, sous-titres et figures)
Editor’s letter / Éditorial / كلمة الناشرين : Instrumental facture & Evolution of musicology and ethnomusicology / Facture instrumentale & Évolution de la musicologie et de l’ethnomusicologie / صناعة الآلات وتطوّر علم الموسيقولوجيا والإتنوموسيقولوجيا (updated)
NEMO-Online No. 4 contents / contenu / ملخّص : Instrumental facture from its sources in the Ancient Near East to modern times / La facture instrumentale au Moyen-Orient, des origines à nos jours / صناعة الآلات الموسيقية في الشرق الأوسط، من البدايات وحتى يومنا هذا
- Jean During : “The Baluchi benju, a new traditional instrument,” Near Eastern Musicology Online 3 4 |2015-11| p. 5–12. (updated)
- Rachid Cherif : “La musique classique tunisienne et la dimension de l’authenticité,” Near Eastern Musicology Online 3 4 |2015-11| p. 13–28. (updated)
- Music excerpt 1 (Initial excerpt from / Extrait initial de Khatm binaire de nubat al-asbahan).
- Music excerpt 2 (Initial excerpt from / Extrait initial de Khatm binaire de nubat al-asbahan).
- Music excerpt 3 (Khatm ternaire de nubat raml al-maya).
- Music excerpt 4 (Khatm ternaire de nubat raml al-maya).
NEMO-Online No. 5 contents / contenu / ملخّص : Musicology and Ethnomusicology: evolutions and problems / Musicologies et Ethnomusicologies : évolutions et problèmes / الموسيقولوجيا والإتنوموسيقولوجيا، التطوّر والمشاكل
- Bruno de Florence : “Essay: General Remarks on ‘Cultural Appropriation’,” Near Eastern Musicology Online 3 5 |2016-11| p. 29–31.
- Amine Zouari : “البنيّة الإيقَـاعيّة في الإنشَاد الصّوفي: جَدليّة التأثِير والـتَّأثُّر,” Near Eastern Musicology Online 3 5 |2016-11| p. 33–45.
- Music excerpt 1 (Khif el Tira).
- Music excerpt 2 (Rhythm No. 1 / Rythme n°1).
- Music excerpt 3 (Rhythm No. 2 / Rythme n°2).
- Music excerpt 4 (Rhythm No. 3 / Rythme n°3).
- Music excerpt 5 (Rhythm No. 4 / Rythme n°4).
- Music excerpt 6 (Rhythm No. 5 / Rythme n°5).
- Music excerpt 7 (Rhythm No. 6 / Rythme n°6).
- Adeline Poussin : “Nouveaux champs de l’ethnomusicologie : une nouvelle approche des musiques occidentales ne relevant pas de la ‘tradition populaire’,” Near Eastern Musicology Online 3 5 |2016-11| p. 47–52.
- Amine Beyhom : “Dossier: Hellenism as an Analytical tool for Occicentrism (in musicology),” Near Eastern Musicology Online 3 5 |2016-11| p. 53–275. (V2)
- Power Point show for the dossier (210MB – V2).
NEMO-Online No. 6 (Vol. 4)
- Amine Beyhom : “A Hypothesis for the Elaboration of Heptatonic Scales,” Near Eastern Musicology Online 4 6 |2017-05| p. 5–90.
- Power Point Show including audio examples for Scales with limited transposition
- Appendix I: Complete database – quarter-tone model with reduced alphabet of intervals
- Appendix J: Generation of systems with the extended alphabet from 2 to 24 quarter-tones
- Appendix K: Generation of systems with 17ths of the octave, full alphabet
- Richard Dumbrill : “The Truth about Babylonian Music,” Near Eastern Musicology Online 4 6 |2017-08| p. 91–121.
- Mixed score (Tonogram reproduction of the intonations in parallel with the score) of Hurrian song H6 (Richard Dumbrill-Amine Beyhom-Rosy Azar Beyhom) – pdf
- Midi reproduction of Hurrian song H6 including intonations (Richard Dumbrill-Amine Beyhom-Rosy Azar Beyhom) – mp3
- Recording of Hurrian song H6 with singer Lara Jokhadar (Richard Dumbrill-Amine Beyhom-Rosy Azar Beyhom) – mp3
- Bruno Deschênes : “A preliminary approach to the analysis of honkyoku, the solo repertoire of the Japanese shakuhachi,” Near Eastern Musicology Online 4 6 |2017-08| p. 123–143.
- Daiwa gaku (First analyzed song – By Bruno Deschênes) – mp3
- Shika no tone (Second analyzed song – By the Ensemble Matsu Také with Michel Zenchiku Dubeau) – mp3
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