This Element addresses the cultural production of ancient Egypt in the museum as a mixture of multiple pasts and presents that cohere around collections; their artefacts, documentation, storage, research, and display. Its four sections examine how ideas about the past are formed by museum assemblages: how their histories of acquisition and documentation shape interpretation, the range of materials that comprise them, the influence of their geographical framing, and the moments of remaking that might be possible. Throughout, the importance of critical approaches to interpretation is underscored, reasserting the museum as a site of active research and experiment, rather than only exhibitionary product or communicative media. It argues for a multi-directional approach to museum work that seeks to reveal the inter-relations of collection histories and which has implications not just for museum representation and documentation, but also for archaeological practice more broadly.
This Element is free online from 19th August - 2nd September
Online ISBN: 9781009070348Publisher: Cambridge University PressPrint publication: 30 September 2022
Element contents
- Summary
1Introduction 1.1The Twenty-First Century Museum 1.2Egypt, an Exotic Chronotope 1.3Multi-Directional Curatorship 2Collecting Histories 2.1Periodization 2.2Acquisition Histories 2.3Documenting Histories 2.4The Antiquities Market 3Materials 3.1Photographs 3.2Replicas 3.3Restoration and Conservation 4Space and Place 4.1Buildings 4.2Egypt in Egypt 4.3Egypt in Africa 5Experimental Reassembling
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