Edited by: Bradford A. Anderson
- De Gruyter
|- 2020
Open AccessThroughout history, the study of sacred texts has focused almost exclusively on the content and meaning of these writings. Such a focus obscures the fact that sacred texts are always embodied in particular material forms—from ancient scrolls to contemporary electronic devices. Using the digital turn as a starting point, this volume highlights material dimensions of the sacred texts of Judaism, Christianity, and Islam.
The essays in this collection investigate how material aspects have shaped the production and use of these texts within and between the traditions of Judaism, Christianity, and Islam, from antiquity to the present day. Contributors also reflect on the implications of transitions between varied material forms and media cultures.
Taken together, the essays suggests that materiality is significant for the academic study of sacred texts, as well as for reflection on developments within and between these religious traditions. This volume offers insightful analysis on key issues related to the materiality of sacred texts in the traditions of Judaism, Christianity, and Islam, while also highlighting the significance of transitions between various material forms, including the current shift to digital culture.
Introduction: Materiality, Liminality, and the Digital Turn: The Sacred Texts of Judaism, Christianity, and Islam in Material Perspective
Bradford A. Anderson
- Pages:
- 1–10
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I. Sacred Texts and Material Contexts
Stichographic Layout in the Dead Sea Psalms Scrolls: Observations on its Development and its Potential
Anna Krauß and Friederike Schücking-Jungblut
- Pages:
- 13–34
OPEN ACCESSWriting the Qur’ān Between the Lines: Marginal and Interlinear Notes in Selected Qur’ān Fragments from the Museum of Islamic Art, Qatar
Asma Hilali
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- 51–62
OPEN ACCESSThe Sefer Torah and Jewish Orthodoxy in the Islamic Middle Ages
Ben Outhwaite
- Pages:
- 63–90
OPEN ACCESSFrom Scroll to Codex: Dynamics of Text Layout Transformation in the Hebrew Bible
Javier del Barco
- Pages:
- 91–118
OPEN ACCESSMemory, Performance, and Change: The Psalms’ Layout in Late Medieval and Early Modern Bibles
Eyal Poleg
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- 119–152
OPEN ACCESSBe Your Own Scribe: Bible Journalling and the New Illuminators of the Densely-Printed Page
Amanda Dillon
- Pages:
- 153–178
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II. Sacred Texts and the Digital Turn
Monks, Manuscripts, Muhammad, and Digital Editions of the New Testament
Garrick V. Allen
- Pages:
- 181–212
OPEN ACCESSThe Qur’ānic Text from Manuscript to Digital Form: Metalinguistic Markup of Scribes and Editors
Alba Fedeli
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- 213–246
OPEN ACCESSSacred Texts in a Digital Age: Materiality, Digital Culture, and the Functional Dimensions of Scriptures in Judaism, Christianity, and Islam
Bradford A. Anderson
- Pages:
- 281–302
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