Monday, August 19, 2013

Andrea Seri, The House of Prisoners Online

Seri, Andrea
The House of Prisoners
ISBN: 978-1-61451-109-0
e-ISBN: 978-1-61451-097-0
ISSN: 2161-4155

Boston : De Gruyter, 2013.
Studies in ancient Near Eastern records, vol. 2 

This book deals with the house of prisoners (bit asiri ) at the city of Uruk during the revolt against king Samsu-iluna of Babylon, Hammurabi’s son. The political history of this brief period (ca. 1741–1739 BC) is not widely known and until now there has been no comprehensive treatment of the bit asiri. This book includes autograph copies, transliterations, and translations of 42 unpublished cuneiform tablets from various collections, collations, and detailed tables and catalogues. The analysis comprises some 410 documents dated or attributable to king Rim-Anum, one of the insurgents who attained relative independence as the ruler of Uruk. The study of this corpus reveals details about diplomatic dealings between the central power and rebel rulers, about the functioning of the house of prisoners of war, and about the individuals who participated in different echelons of the local administration. This monograph investigates what kind of organization “the house of prisoners” was, how it worked, how it interacted with other institutions, the composition of its labor force, and state management of captive and enslaved individuals.
Available online courtesy of De Gruyter

Sunday, August 18, 2013

(Partially) Open Access Journal: Popular Archaeology

Popular Archaeology
Popular Archaeology
Popular Archaeology magazine is a 100% online periodical dedicated to bringing archaeology to the public. We bring high quality original content, much of it produced exclusively for Popular Archaeology, for discriminating readers of the general public who have come to expect content similar to what can be found in the major print magazines. Unlike most other major magazines related to archaeology, no paper copies will ever be produced and distributed, so it will always be "green", and it will always be less costly to produce and therefore far less costly to purchase by premium subscribers (although regular subscriptions are always free).  Most of our writers and contributors are either professionals or top experts in their fields, or are individuals relating first-hand experiences; however, the magazine is unique among other archaeology-related magazines in that it makes it easy to invite and encourage members of the public (YOU) to submit pertinent articles, blogs, events, directory listings, and classified ads for publication.  As a volunteer or student, do you have a fascinating story to tell about an archaeological experience?  As a professional archaeologist, scholar, educator, or scientist, do you have a discovery, program or project that you think would be of interest to the world?  Do you have an archaeology-related service or item for sale? Would you like to have your archaeology-related blog post featured on the front page? ( Ad and specially featured item prices are lower than what you will find in any other major archaeology magazine).  Through Popular Archaeology, you can realize all of these things. Moreover, because the content is produced by a very broad spectrum of contributors, you will see more feature articles than what you would typically find in the major print publications, with the same content quality.
  
As a community of professionals, writers, students, and volunteers, we invite you to join us as subscribers in this adventure of archaeological discovery.  It could open up a whole new world for you.
Basic access to this magazine by the public will always be free.  Many of the articles are only available to regular (free) subscribers, and some of them, our highest quality original content, are only available in full to premium (paying) subscribers.

Issues

January 2011

Issue : January 2011

DONUM: The ANS Library Catalog

DONUM: The ANS Library Catalog
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Welcome to DONUM! This Database Of Numismatic Materials is the online catalog of the American Numismatic Society Library. 
The word "donum" is also Latin for "gift", and as a free resource, this online catalog is our gift to the world. 
To begin your search, please enter a Keyword or phrase in the search bar above. 
You do not need a login or password to use the catalog. (Logins are currently for internal use only).

For details on how to maximize your search options, please see the user's guide.

Advanced searches: You can limit your searches to include only books (or other formats) by using the “Advanced search” link.

For a more detailed description on the adoption of this new catalog, please see the History of DONUM.

IMPORTANT NOTE ON HOLDINGS: Some records note that the "holdings" equal "(0)". This does NOT mean that the item is not in the library (only that the item has not yet received a call number). Please also note that this is a catalog of bibliographic records ONLY. There is no digital content of actual articles or books in any portion of this catalog. 

Saturday, August 17, 2013

Open Access Journal: Remote Sensing & Photogrammetry Society Archaeology Special Interest Group Newsletter

Remote Sensing & Photogrammetry Society Archaeology Special Interest Group Newsletter
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The Archaeology SIG aims to encourage the exchange of research and methodology between remote sensing scientists and archaeologists, especially those concerned with methods of site prospection and novel applications.

Meetings concentrate on a mixture of case studies and developing methodology and include ground-based methods, photogrammetry, LIDAR, laser scanning, and geophysical prospection, as well as aerial photography and thermal imaging.

SIG Activities

The Archaeology Special Interest Group of the Remote Sensing and Photogrammetry Society aims to:
  • Promote the development & use of remote sensing in archaeological surveying
  • Encourage research in all aspects of remote site location and interpretation
  • Provide a forum for the exchange of information & ideas
Current areas of interest include the following:
  • Satellite data interpretation
  • Aerial photographic analysis
  • Digital image processing
  • Ground-based applications
  • High-resolution photographic techniques
  • Radar
  • Thermal line scanning
  • GIS
  • UAVs

Friday, August 16, 2013

Early Warnings: AIA Archive to be Publicly Accessible for the First Time in 135 Years

Archaeological Archive to be Publicly Accessible for the First Time in 135 Years
PRESS RELEASE      August 14, 2013

Contact: Elizabeth Christian
Archaeological Institute of America
656 Beacon Street
Boston, MA 02215
Tel: 617.353.9361
E-mail: echristian@aia.bu.edu

RE:  Archaeological Archive to be Publicly Accessible for First Time in 135 Years
The Archaeological Institute of America, North America’s largest and oldest non-profit organization devoted to archaeology, will make the extensive archival materials of its 135-year history available online, thanks to a grant from the Leon Levy Foundation.  The project will include the complete inventorying of the AIA Archive, digitization and translation of all documents, and deposition of the entire digital Archive at the AIA’s host institution Boston University, where it will be universally available via open access.
AIA President Elizabeth Bartman applauded the grant: “The Leon Levy Foundation’s generous support will facilitate not only an understanding of our institutional past but also of what was, at the time of the AIA’s founding in 1879, a new discipline of study.  At its heart, a study of the AIA is an exploration of intellectual history.”

The vast AIA Archive includes such materials as founding documents (including those related to the AIA’s Congressional charter); presidential correspondence; minutes of board meetings; formal and legal reports; AIA publications (the early Papers, the American Journal of Archaeology, and Art and Archaeology, later renamed Archaeology); as well as materials from annual meetings, lectures, and site preservation efforts. In addition, papers record the AIA’s early archaeological work in Assos (Turkey), Crete, Croton (Italy), Cyrene (Libya), and Tarsus (Turkey), and document the AIA’s role in the foundation of the American School of Classical Studies at Athens, the American School of Classical Studies in Rome (later the American Academy), and the School of American Archaeology.
Systematizing and digitizing the AIA Archive fulfills a long-desired goal of making it broadly available to archaeologists, scholars, and the general public.  Susan Heuck Allen, AIA member and author of several books that are based on primary research in the Archive, notes that the Leon Levy Foundation gift will offer scholars the opportunity “to dig into the Institute’s own stratigraphy to understand the development of our discipline and the context of the United States and its excavations.”

The Leon Levy Foundation is a leader in providing funding to catalogue and make accessible important cultural archives; it has long supported the excavation of the ancient seaport of Ashkelon and the publication of archaeological fieldwork. It recently granted lead support to a new collaboration between the British Museum and the Penn Museum that will produce a dynamic online resource to the archaeology of the ancient kingdom of Ur. Work on the Archive is expected to begin immediately and the entire collection will be available in the fall of 2016.

About AIA
The Archaeological Institute of America (AIA) promotes archaeological inquiry and public understanding of the material record of the human past to foster an appreciation of diverse cultures and our shared humanity. The AIA supports archaeologists, their research and its dissemination, and the ethical practice of archaeology. The AIA educates people of all ages about the significance of archaeological discovery and advocates the preservation of the world's archaeological heritage. Learn more by visiting www.archaeological.org.

About the Leon Levy Foundation
The Leon Levy Foundation, founded in 2004, is a private, not-for-profit foundation created from the estate of Leon Levy, an investor with a longstanding commitment to philanthropy. The Foundation's overarching goal is to support scholarship at the highest level, ultimately advancing knowledge and improving the lives of individuals and society at large. www.leonlevyfoundation.org.

See more

Thursday, August 15, 2013

Corpus Inscriptionum Latinarum: CIL I² 2, 1–4 INDICES COMPLETED

CIL I² 2, 1–4 INDICES COMPLETED
2013-08-15 17:44 by Manfred Schmidt (comments: 0) 
CIL I² 2, 1–4 Indices: Hans Krummrey (Berlin) has now completed an index of the find spots of all Latin inscriptions from Republican times as well as a compilation of the original depositories and of the persons mentioned in this index: Inscriptiones Latinae antiquissimae ad C. Caesaris mortem – Quibus locis tituli reperti asservati sint testibus adiectis. 
With detailed prefaces in Latin, German and English these indices will be of great value for all those who deal with inscriptions from the Republican period. 
See http://cil.bbaw.de/dateien/indices.html

Wednesday, August 14, 2013

Just Announced: The J. Paul Getty Trust Open Content Program

The J. Paul Getty Trust Open Content Program
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The Getty makes available, without charge, all available digital images to which the Getty holds the rights or that are in the public domain to be used for any purpose. No permission is required.

Please see the related press release and Getty president and CEO Jim Cuno's announcement on The Getty Iris for additional information.

Why Open Content?

The Getty adopted the Open Content Program because we recognized the need to share images of works of art in an unrestricted manner, freely, so that all those who create or appreciate art—scholars, artists, art lovers, and entrepreneurs—will have greater access to high-quality digital images for their studies and projects. Art inspires us, and imagination and creativity lead to artistic expressions that expand knowledge and understanding. The Getty sincerely hopes that people will use the open content images for a wide range of activities and that they will share the fruits of their labors with others.

Access to Open Content Images

Initially, the images available through the Open Content Program are of works in the J. Paul Getty Museum's collections. Over time, images from the Getty Research Institute and the Getty Conservation Institute will be added. Museum images can be found on the Museum's Collection webpages or on the Getty Search Gateway. Those available as open content images are identified with a "Download" link. Images provided are JPEG files at a minimum of 300 DPI. See the Guidelines for Successful Printing (PDF) for more information on file format.

If you need new photography, resizing, or color correction, you can request those services by Contacting Museum Rights & Reproductions. A fee (PDF) will be charged for this service.

Public Domain and Rights

Open content images are digital surrogates of works of art that are in the Getty's collections and in the public domain, for which we hold all rights, or for which we are not aware of any rights restrictions. Rights restrictions are based on copyright, trademark, privacy and publicity laws, and contractual obligations. If an image you want is not designated as an open content image, it is because one or more of the above identified legal rights restricts our ability to make that content available under this program. While the Getty reviews the metadata about each picture before making it available as an open content image, there may be some underlying rights that were unknown to us. For that reason, we strongly recommend that users consider the possibility that rights of third parties may be involved, and permission for those rights may need to be obtained by the user for the proposed use.

Fair Use

Open content images can be used for any purpose without first seeking permission from the Getty. Images of many other works in the collections are also on our website in varying formats. The Getty supports fair use of images when the applicable legal criteria are met. For more information on use of digital images of works in the Getty's collections, please refer to the Getty's Terms of Use.