Acoge en sus páginas colaboraciones que versan acerca de los ámbitos hoy en día admitidos bajo el concepto de Filología Clásica, con especial atención a los comprendidos en las denominaciones de Filología Griega y Filología Latina en su contenido más amplio, tanto en lo que se refiere a su contenido como a los periodos cronológicos correspondientes
Núm. 34 (2021)
Publicado: 15/12/2021Artículos
Reseña-Ensayo
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A publication of the Classical Association of New England, New England Classical Journal is a biannual, peer-reviewed journal that offers scholarly articles, pedagogical essays, and book reviews, all of which explore a variety of topics throughout the field of Classics.
See the Aims and Scope for a complete coverage of the journal.
Assortment of past winners.
Current Issue: Volume 49, Issue 1 (2022)
Special Issue In Honor of Jacqui Carlon
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Table of Contents
Articles
Introduction to Schola Viuida
Peter G. Barrios-LechPutting on a Fronto: Persona and Patterns of Language in Fronto’s Correspondence
Peter G. Barrios-LechDe Sallustio Latine Praelegendo: Causae, Rationes et Consilia Docendi
Jorge Tárrega GarridoLatin Vocabulary Knowledge and the Readability of Latin Texts: A Preliminary Study
John Gruber-Miller and Bret MulliganOn Teaching Sallust in Latin: The Why and the How
Jorge Tárrega GarridoHorace’s Use of the Myth of Icarus in the Odes
Benjamin ClaessensCANE Student Writing Contest Winner
A Perspective on Pandora’s Box
Mia SchenengaBook Reviews
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The Brown Classical Journal was founded in 1984 by Professor Alison Goddard Elliott, whoThe Brown Classical Journal was founded in 1984 by Professor Alison Goddard Elliott, who nurtured the editors and contributors of that first volume as Faculty Editor. Sadly, the volume was dedicated to her memory. Susan Hueck Allen, then a graduate student, designed the logo for the journal, which was used for the first eleven volumes. The BCJ is published annually and typically is printed in the spring.
The purpose of the BCJ is "to encourage and to reward well written essays by students of the Classics at Brown University."
We welcome submissions of essays, original poetry, translations from the Greek and Latin, art work, or original photographs on a classical theme, from any undergraduate with an interest in the classics. Although we anticipate that the bulk of accepted submissions will focus on Greco-Roman antiquity and on the traditions of classical antiquity in subsequent eras, we also welcome submissions that treat the cultures of any ancient society, East or West.
Read the Latest Brown Classical Journal
Brown Classical Journal, Volume 33, 2021
Revue interuniversitaire, internationale et quadrimestrielle, Pallas publie en français mais aussi en anglais, en espagnol, italien et allemand, des articles d'enseignants, jeunes chercheurs et doctorants. Les sujets abordés, réunis dans des dossiers thématiques traitent des sciences de l’Antiquité au sens large et intéressent tous les domaines des civilisations grecque et romaine : littérature, linguistique, métrique, histoire, archéologie, iconographie.
Tous les deux ans, Pallas accueille le numéro thématique consacré à la nouvelle question d’histoire ancienne aux concours de l’enseignement du CAPES et de l’Agrégation.
Literary, Historical and Philosophical Essays. International Workshop (Aix-Marseille Université, 15-16 June 2017)PDF 2,6MSous la direction de Laura LoddoCe numéro explore l’histoire des réfugiés politiques dans le monde grec ancien, selon une temporalité allant de l’époque archaïque jusqu’à la conquête romaine de la Grèce, et dans une perspective géographique large, car non limitée à la réalité athénienne.
Le sujet est abordé selon trois axes différents : une approche descriptive des sources littéraires portant sur les réfugiés politiques, qui ne néglige pas les aspects religieux et anthropologiques ; une perspective plus proprement historique et historiographique qui met en évidence l’histoire et le traitement des réfugiés par les pays d’origine et les pays d’accueil ; une enquête philosophique sur l’exil politique en termes d’attitudes et de mentalités vis-à-vis de la vie en exil.Note de la rédaction
Numéro publié avec le soutien d’Aix-Marseille Université
Notes de lectures
- 111 | 2019
Religion et pouvoir dans le monde romain de 218 avant notre ère à 235 de notre ère- 110 | 2019
Bois et architecture dans la Protohistoire et l’Antiquité / Les désastres militaires romains- 109 | 2019
Euripide et la polyphonie mythologique / Terra e territorio nella Sicilia greca- 108 | 2018
Babis Polypragmôn. Mélanges en mémoire de Charalampos Orfanos- 107 | 2018
Au spectacle de la religion. Engagements individuels et constructions de communautés- 106 | 2018
Goûts et odeurs dans l’Antiquité / Handicaps, malformations et infirmités dans l’Antiquité- 105 | 2017
L’aspective dans l’art antique / Oppida et « civilisation des oppida »- 104 | 2017
Ékklèsia. Approches croisées d’histoire politique et religieuse- 103 | 2017
Études de linguistique latine II- 102 | 2016
Études de linguistique latine I- 101 | 2016
La trousse du vétérinaire dans l’Antiquité et au Moyen Âge. Instruments et pratiques- 100 | 2016
Cent chouettes pour Athéna- 99 | 2015
Femmes et actes de mémoire / La temporalité dans les échanges- 98 | 2015
Sons et audition dans l’Antiquité- 97 | 2015
- 96 | 2014
Le monde romain de 70 av. J.-C à 73 apr. J.-C- 95 | 2014
Sénèque, un philosophe homme de théâtre ?- 94 | 2014
L’objet dans la tombe en Grèce et en Grande-Grèce à l’âge du Fer- 93 | 2013
Texte et image dans l’Antiquité- 92 | 2013
Regard et représentation dans l’Antiquité- 91 | 2013
Entre le vrai et le faux. Approches discursives et stratégies de pouvoir dans l’Antiquité- 90 | 2013
L’Antiquité en partage- 89 | 2012
Les diasporas grecques du VIIIe à la fin du IIIe siècle av. J.-C.- 88 | 2012
La souffrance physique dans l'Antiquité- 87 | 2011
Delphes, sa cité, sa région, ses relations internationales- 86 | 2011
The Gods of Small Things- 85 | 2011
La femme, la parenté et le politique- 84 | 2010
Vivre en Gaule Narbonnaise - Isis au Capitole- 83 | 2010
Glyptique romaine- 82 | 2010
Ab Aquitania in Hispaniam- 81 | 2009
Kaina pragmata- 80 | 2009
Rome et l’Occident- 79 | 2009
Sicile antique. Pyrrhus en Occident- 78 | 2009
Mythes et savoirs dans les textes grecs et latins
Electryone is an English-language, peer reviewed online journal devoted to ancient historical and philological issues covering the period between the 2nd and 1st millennia BC and the Roman period A.D. Electryone welcomes articles between 4,000 and 8.000 words, shorter notes, responses, etc. up to 2,500 words, and book reviews. It also welcomes presentations of new publications, announcements for conferences and information about research programs.
Electryone focuses on the Mediterranean region and on matters referring to interactions of the Mediterranean with neighboring areas, but presents an international forum of research, innovative interpretations, critical reviews, analyses of ancient text sources, comparative studies, mythological issues, archive research reports, interaction of ancient history with topography and archaeology, and applied new technologies on historical and classical studies.
Electryone covers the full range of classical studies (i.e. 2nd millennium to late Rome) but is particularly interested in classical antiquity and its relationship to other cultures.
Volume 8, Issue 1| pp.
28-31Abstract:
civilization1Ioannis Papadopoulos ioannispapadopoulos1987@gmail.comELECTRYONE
2021Volume 8, Issue 1| pp.
19-27Abstract:
Dio Chrysostom’s Euboicus presents a unique case-study of a divergent voice that disrupts the rather smooth discourse of the urban dimensions of the Second Sophistic. The author, having experienced a rather turbulent period of life, during Domitian’s reign and observed alternative ways of life, unfamiliar with the Greek and Roman examples, produced a manifesto of a new view of social living. The ideas and examples presented in the aforementioned work rather reject some of the fundamental social principles of urban living during Classical Antiquity. The extent that Dio was a visionary of social change or a plain reactionary as a result of his personal calamities remains unclear. However, his treatise, describing a remote community in mountainous Euboea, consists not only of a call to a retreat to a more natural and ‘primitivistic’ way of life, but also includes a sharp criticism of the dominant problems of a Greek city during the imperial era. Through his reflection on such issues, Dio, appeared to have reached the fringes of civil disobedience, inspired by cultural otherness and the resistance to the monolithic Greek and Roman social norms.
and Kyriakos Charalambidis: convergences - divergences / similarities –
differencesLouiza Christodoulidou xristod@aegean.grELECTRYONE
2021Volume 8, Issue 1| pp.
8-18Abstract:
Our presentation will be structured, mainly, around three axes. At a first level, our interest is focused on the artistic representations of the archaic angiographies that were the reason for the composition of the two poems, the targeting, the connotations and their consequent role. At a second level we will highlight the poetic function of the "Funeral of Sarpedon" by Konstantinos Cavafy and Kyriakos Charalambidis, as well as the convergencesdiscrepancies between them. At a third level, we will detect the contexts, since the conceptualbridges that direct us in an intertextual walk towards the corresponding contexts of the Iliad are scattered, but also in any differences or upheavals that highlight the ideological meanings of each poem.ELECTRYONE
2021Volume 8, Issue 1| pp.
1-7Abstract:
Euripides’ Ion is a play with elements that challenge tragic gravity, and bring about a lighter tone. Although the body of criticism that discusses the comic elements of Euripides’ tragedies (esp. the so-called tragic–comedies) is extensive, little attention has been given to cases of comic self-consciousness. The aim of this paper is to examine Ion’s l.528, and more concretely Ion’s utterance ...ταῦτ᾽ οὖν οὐ γέλως κλύειν ἐμοί;, as an example of comic selfawareness, that is, an instance that Euripides himself recognizes, in a metatheatrical way, as comic, while commenting at the same time on its reception on the audience’s part.
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