Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Sunday, June 3, 2018

Photothèque Mosaïques Henri Stern

Photothèque Mosaïques Henri Stern
http://129.199.58.244/fmi/iwp/data.jpg?-containerlayobj&-lay=14&-index=0
La base de données de la photothèque Henri Stern rassemble près de 15000 diapositives numérisées représentant des mosaïques antiques (surtout d’époque romaine) et parfois des mosaïques médiévales, provenant de 35 pays.
Les clichés sont dûs, pour la quasi-totalité, aux membres du Centre. Les images mises en ligne sont de basse résolution et ne peuvent servir à la publication, la base étant un instrument de recherche. Les autorisations de reproduction des clichés numérisés en haute résolution sont à demander à Frédérique Marchand-Beaulieu.

Wednesday, May 23, 2018

The Art of Counting

The Art of Counting
Art of Counting
The Art of Counting is a ground-breaking research project that applies statistical methods to the study of visual material.  This approach has already proven its immense value through a successful doctoral dissertation (directed by David O’Connor) that focused on the reliefs of the memorial temple of Ramses III at Medinet Habu.  The data-driven methodology proved to be an extremely efficient and informative tool for investigating the complex and intricately interwoven iconography present in these scenes.  Currently, the Art of Counting approach is being applied to ancient Egyptian imagery, but the methodology is equally well suited to research visual material from any era.  See About the Project for more information on this innovative effort.

This endeavor is an international and collaborative one, bringing together specialists across the globe.  The scale of the task at hand–quantifying, recording, and analyzing the immense body of visual material from ancient Egypt–simply requires a group effort and the Art of Counting team already includes more than a dozen Egyptologists in addition to our statistical and technological partners.   As we begin investigating other eras, this group of specialists will further expand.  Find out more at About the Team.

Wednesday, May 9, 2018

Census of Antique Works of Art and Architecture Known in the Renaissance

 [First posted in AWOL 28 January 2013, updated 9 May 2018]

Census of Antique Works of Art and Architecture Known in the Renaissance
census logo
Der Census of Antique Works of Art and Architecture Known in the Renaissance ist ein interdisziplinäres Forschungsprojekt, das dem zentralen Problemfeld der Renaissance-forschung, der Antikenrezeption, gewidmet ist. Herzstück des Projekts ist die Datenbank, in der die in der Renaissance bekannten antiken Monumente mit den zugehörigen bildlichen und schriftlichen Dokumenten erfasst werden.
Durch Kooperationen mit Forschungsprojekten, die dem Nachleben der Antike in anderen Epochen gewidmet sind, erweitert sich die Datensammlung mittlerweile sowohl um die antiken Denkmäler, die Johann Joachim Winckelmann und seiner Zeit bekannt waren (Corpus Winckelmann), als auch um die Rezeption und Adaption antiker Kunst während des Mittelalters (Corpus Medii Aevi). Aus dem Projekt gehen regelmäßig Publikationen hervor.
 The Census of Antique Works of Art and Architecture Known in the Renaissance is an interdisciplinary research project centering on the classical tradition, a focus of Renaissance studies. The core of the project is the database registering antique monuments known in the Renaissance together with the related Renaissance documents in form of texts and images.
The collection of data has been extended by the antique monuments known to Johann Joachim Winckelmann and his contemporaries (Corpus Winckelmann) as well as the reception and adaption of antique art of the Middle Ages (Corpus Medii Aevi) in cooperation with research projects dedicated to the ‘Nachleben’ of Antiquity. The project regularly issues publications.

Latest news


Cultural Heritage as Linked Open Data - Pilot Project for the Census
A new project of the TELOTA initiative at the Berlin-Brandenburg Academy of Sciences and Humanities in cooperation with the Census team aims at the technological development of the Census database
New Research Focus 2018
Marble on Paper. Early-18th-Century Italian Collections of Antiquities in the Light of Richard Topham’s Drawings Collection at Eton College
Server Maintenance
On 9 February, 2018, maintenance of the server of the Census database might result in temporary downtime
Server Maintenance
On 18 and 19 October, 2017, maintenance of the server of the Census database might result in temporary downtime
Francesca Mattei new Alexander von Humboldt Fellow at the Census
The drawings by the Anonymus Mantuanus A and Renaissance architecture north of the Alps

Open Access Journal: Bulletin de l'Association Internationale pour l'Etude de la Mosai͏̈que Antique (AIEMA)

Bulletin de l'Association Internationale pour l'Etude de la Mosai͏̈que Antique (AIEMA)
À l’issue du Ier Colloque international sur la mosaïque gréco-romaine, tenu à Paris en 1963, à l’initiative de Henri Stern, directeur de recherche au CNRS, une trentaine de savants étrangers et français décident de fonder l’Association internationale pour l’étude de la mosaïque antique : l’AIEMA. Son but est de promouvoir et de coordonner les recherches scientifiques dans ce domaine en contribuant à encourager et coordonner l'oeuvre entreprise en ce sens dans les différents pays.


Friday, March 30, 2018

Open Access Journal: CLARA Classical Art and Archaeology

CLARA Classical Art and Archaeology
ISSN: 2464-3726
So-called muse, from the Ustinow Collection, Museum of Cultural History, University of Oslo. Copyrighted material.
CLARA is an open access journal hosted by the Museum of Cultural History at the University of Oslo and administered by an international Editorial Board. The main objective is to annually publish papers of a high academic quality within the field of Classical Art and Archaeology and to make them accessible to a wide scholarly public.

2016

Cover Clara volum 1

Vol 1 (2016)

CLARA Classical Art and Archaeology Vol. 1
Chief Editor Marina Prusac, PhD, Associate Professor, Museum of Cultural History, University of Oslo
Volume Editor Adam Lindhagen, PhD, Stockholm University
Editorial Assistant 1 Astri Karine Lundgren, MA Classical Archaeology, University of Oslo
Editorial Assistant 2 Anette Sættem, Advisor, Museum of Cultural History, University of Oslo
For the Editorial Board follow this link.

Cover Image: Close-up image of so-called muse, Roman copy of Hellenistic original. From the Ustinow Collection, probably acquired in Israel, Palestine or Syria. Oslo, Museum of Cultural History, inv. C42183. Photo: Morten Teigen, Museum of Cultural History © 

CLARA is published by way of the Oslo University Library Open Access platform FRITT. All rights and guidelines are available on the periodical’s website.

ISSN: to be added late 2016, after the closure of Volume 1.


2017

Cover Page

Vol 2 (2017)

CLARA Classical Art and Archaeology Vol. 2
Chief Editor Marina Prusac-Lindhagen, PhD, Associate Professor, Museum of Cultural History, University of Oslo
Editorial Assistant 1 Astri Karine Lundgren, MA Classical Archaeology, University of Oslo
Editorial Assistant 2 Anette Sættem, Advisor, Museum of Cultural History, University of Oslo
For the Editorial Board follow this link.

Cover Image: Close-up image of so-called muse, Roman copy of Hellenistic original. From the Ustinow Collection, probably acquired in Israel, Palestine or Syria. Oslo, Museum of Cultural History, inv. C42183. Photo: Morten Teigen, Museum of Cultural History © 
CLARA is published by way of the Oslo University Library Open Access platform FRITT. All rights and guidelines are available on the periodical’s website.
ISSN: 2464-3726

2018

Cover Page

Vol 3 (2018)

CLARA Classical Art and Archaeology Vol. 3

Cover Image: Female funerary bust from Palmyra. From the Ustinow Collection. Oslo, Museum of Cultural History, inv. C42238. Photo: Lill-Ann Chepstow-Lusty, Museum of Cultural History © 
CLARA is published by way of the Oslo University Library Open Access platform FRITT. All rights and guidelines are available on the periodical’s website.
ISSN: 2464-3726

Tuesday, February 20, 2018

ICAR - Iconographie et Archéologie pour l'Italie préromaine

ICAR - Iconographie et Archéologie pour l'Italie préromaine
http://icar.huma-num.fr/web/bundles/icar/images/pecheur.png

La base Icar rassemble les objets d'Italie préromaine (étrusque, italique et italiote du VIIIe siècle avant J.-C. jusqu'à l'époque hellénistique) servant de support à une scène figurée.

Elle réunit une abondante documentation iconographique (descriptions, photographies, dessins et gravures modernes) et bibliographique, en mettant l'accent sur le contexte archéologique et artistique, l'histoire des collections et celle des interprétations des scènes figurées. Une présentation des objectifs et des enjeux de la base Icar peut être consultée ici.
Trois corpus entiers sont présentés :
  • la peinture préromaine : fresques étrusques, campaniennes et apuliennes
  • les reliefs archaïques de Chiusi
  • les hydries de Cerveteri
ainsi que des fonds complets de documentation graphique d’époque moderne et contemporaine :
  • les aquarelles, calques et facsimilés d’Augusto Guido Gatti (premier quart du XXe siècle) pour la Galleria della pittura etrusca in facsimile du Musée archéologique de Florence
Deux modes d'interrogation sont proposés :
  • Icar, des scènes figurées de l’Italie préromaine
  • IcarDoc, des reproductions illustrant les scènes figurées préromaines
L'entreprise est conçue et dirigée par Natacha Lubtchansky, Professeur à l'Université François-Rabelais de Tours - CeTHiS, la réalisation informatique assurée par Sylvain Mottet et l’Atelier numérique de la Maison des sciences de l’Homme Val de Loire, et l’enregistrement scientifique des données est placé sous la responsabilité d’Annick Fenet, AOROC-ENS-Paris 

Thursday, February 15, 2018

Open Access Journal: Cahiers de l'Ecole du Louvre

 [First posted in AWOL 13 March 2014, updated 15 February 2018]

Cahiers de l'Ecole du Louvre
ISSN: 2262-208X
Revue de recherche en ligne de l’Ecole du Louvre, cette nouvelle publication accompagne la restructuration du troisième cycle en offrant à la recherche pratiquée à l’Ecole un  nouvel outil de diffusion, plus souple et mieux adapté aux pratiques contemporaines. Alliant l’exigence scientifique garantie par la validation d’un comité de lecture à la souplesse et à la facilité d’utilisation du support numérique, les Cahiers ont pour ambition de rendre la recherche menée à l’Ecole plus visible à la communauté savante.
Avec une périodicité semestrielle, ils proposeront pour chaque numéro une série de cinq à six articles issus des  meilleurs travaux des élèves ainsi que des recherches en cours des enseignants et partenaires associés de l’Ecole. Le lecteur pourra également trouver un résumé en français, un abstract en anglais et une courte biographie des auteurs, une rubrique « Documents », destinée à accueillir le cas échéant, des articles plus courts mettant en valeur un document inédit, et une rubrique « Actualité de la recherche à l’Ecole » qui rendra compte des journées d’études, colloques, parution d’ouvrages, etc. organisés par l’Ecole.


Les Cahiers de l’Ecole du Louvre bénéficient du soutien de la Fondation Daniel et Nina Carasso.

Numéros en texte intégral


Wednesday, August 23, 2017

Open Access Journal: Studies in Ancient Art and Civilization

[First posted in AWOL 4 October 2009. Updated 23 August 2017]

Studies in Ancient Art and Civilization
ISSN: 0083-4300

Studies in Ancient Art and Civilization were created in 1991 as an irregular series which in the first place served as a forum for the presentation of the Jagiellonian University Institute of Archaeology and studies provided by its researchers. The series was originated by professor Joachim Śliwa, who was also its first Editor in Chief, and since 2010 this function has been fulfilled by professor Ewdoksia Papuci-Władyka. Since vol. 10 (2007) SAAC has become a regular yearly periodical. 
Until present fifteen volumes have been published, among them two monographic studies (vols. 3 and 11, the latter being Pontika 2006 conference proceedings edited by E. Papuci-Władyka) and three volumes dedicated to distinguished researchers from our Institute on occasion of their jubilees (vols. 8 – professor Maria Ludwika Bernhard, 14 – professor Joachim Śliwa and 15 – professor Janusz A. Ostrowski).
SAAC publishes papers in the fields of archaeology, art and civilization of ancient Egypt, the Near East, Greece and its colonies, Cyprus and Rome, as well as other, non-Mediterranean ancient civilizations, and also in history of archaeology, collecting of antiquities and reception of ancient culture in modern Europe. Special attention is being given to topics concerning predynastic and early-dynastic Egypt, the Greek and Roman periods in the Black Sea region, and archaeology of Cyprus, due to the excavations conducted by researchers from our Institute in these areas. Objects and artefacts from these excavations are being published in SAAC.
Since 2011 (vol. 15) the publisher has been Księgarnia Akademicka Ltd. in Krakow. Starting with volume 16 (2012) external review procedure will be introduced, compliant to the double-blind review process (anonymity of both reviewed author and reviewer). The referees will be both members of the Editorial Board and other researchers. The list of referees will be published on the journal’s website.
All SAAC volumes as well as other publications are available on the library exchange base.
Recent issues can be purchased at the Księgarnia Akademicka, also in e-book format (www. akademicka.pl)
    All articles through volume 12 are available as PDF files.
    To read the requested volume use the links below:

      Saturday, August 19, 2017

      Sculptures de la Gaule Romaine

      [First posted in AWOL 25 April 2013, updated 19 August 2017]

      Sculptures de la Gaule Romaine
      http://nesp.mmsh.univ-aix.fr/IMAGES%5Cindex.png
      La base de données NEsp est issue d’un programme de recherche du Centre Camille Jullian sur les collections des sculptures romaines de la Gaule Narbonnaise.

      Dans un premier temps, les données collectées dans les musées du sud de la France ont été gérées par la base NarboSculpture. Cette recherche s’est élargie, à la faveur de l’opération du Nouvel Espérandieu, Recueil Général des Sculptures sur pierre de la Gaule, menée par l’Académie des Inscriptions et Belles-Lettres sous la direction d’Henri LAVAGNE. Elle couvre à présent l’inventaire, la gestion, l’étude et la publication des sculptures de l’ensemble de la Gaule romaine. L’accroissement constant des données a nécessité la création de la base NEsp sous la responsabilité de Danièle Terrer.
      Cette base devrait contenir au moins 15000 fiches et 60000 images. Certes, c’est un projet qui se réalise dans la durée, ce qui est, sans doute, le sort de tous les grands inventaires nationaux. Ce fut celui de l’inventaire réalisé par Emile Espérandieu de 1907 à 1938 (onze volumes), puis par Raymond Lantier de 1947 à 1966 (quatre volumes), l’ensemble constituant une collection prestigieuse de près de 10000 sculptures publiée sous le patronage de l’Académie des Inscriptions et Belles-Lettres. Jusqu’à la publication d’un Nouveau Recueil Général des Sculptures sur pierre de la Gaule, c’était le seul inventaire connu.

      En outre, ce premier inventaire, constitué par Emile Espérandieu au début du siècle dernier, était illustré par des plaques de verre dont nous avons pu assurer le sauvetage en les numérisant et en les indexant dans une base de données RBR en vis-à-vis de la nouvelle base NEsp . Ces plaques sont en partie conservées au Palais du Roure à Avignon et au Fort de Saint-Cyr. Jean-Daniel PARISET, Conservateur des Archives de Saint-Cyr, conscient à la fois de la précarité de ces fragiles documents du siècle dernier et de leur immense valeur de témoignage, a bien voulu entreprendre leur sauvetage, aux côtés de Henri LAVAGNE, Membre de l’Institut. La mise à disposition des plaques de verre auprès de la communauté scientifique a été rendue possible par le Ministère de la Culture (France), Médiathèque de l’Architecture et du Patrimoine. Diffusion RMN. La valorisation de ces plaques revient au Centre Camille Jullian où elles ont pu être indexées et intégrées dans la base de données RBR où sont consignés les identifications proposées par Emile Espérandieu, les références au CIL , les sources, les dessins et relevés anciens...

      Friday, February 17, 2017

      The Wall Paintings of Tell el-Dab'a: Aegean Design in Oriental Palaces – Knowledge and Materiality in the Eastern Mediterranean during the Second Millennium B.C.

      The Wall Paintings of Tell el-Dab'a: Aegean Design in Oriental Palaces – Knowledge and Materiality in the Eastern Mediterranean during the Second Millennium B.C.
      The following website introduces ‘The Tell el-Dab'a Wall Paintings Project’. The joint venture of the Austrian Academy of Sciences in Vienna and the Ruhr-University Bochum is supported by the Austrian Archaeological Institute and currently funded by the Institute for Aegean Prehistory (INSTAP). In addition, the project is embedded in the German Research Foundation project ‘Aegean Design in Oriental Palaces – Knowledge and Materiality in the Eastern Mediterranean during the Second Millennium B.C.’ of the Ruhr-University Bochum.

      Sunday, February 5, 2017

      Lexicon Iconographicum Mythologiae Classicae (LIMC): LIMC-France : les bases de données

       [Updated  5 February 2017]

      Lexicon Iconographicum Mythologiae Classicae (LIMC): LIMC-France : les bases de données
      http://www.limc-france.fr/ima/home.png
       The French team of the International Foundation for the LIMC gives you access to the digital resources that have been developed around ancient iconography.
      The three databases  :

      LIMCicon contains data relating to ancient Graeco-Roman documents bearing a mythological or religious representation.

      LIMCbiblio contains recent bibliographical data to complete the information published in the LIMC volumes.

      LIMCabrev allows you to find the list of the articles published in the LIMC and the full names of the bibliographical abbreviations used in the LIMC, in the ThesCRA and on this site.


      Any person wishing to add any information relating to ancient iconographic documents can contact us so that this information may be entered into the LIMCbiblio and/or LIMCicon databases.

      About the digital resources LIMC-France

      LIMC-icon

      The LIMC-icon database contains the iconographical documents kept both in France and elsewhere that have been catalogued and analysed by the French LIMC team.
      It is regularly updated and enhanced with new documents.
      LIMC-icon is not an electronic version of the Lexicon Iconographicum Mythologiae Classicae, it is an independent and complementary source of information. An ancient document can therefore be dealt with either in the database, or in the book, or in both.

      LIMC-biblio

      LIMC-biblio is bibliographical database created to complement - from 1997 to 2009 - the information published in the LIMC volumes.

      LIMC-abrev

      Use LIMC-abrev to find the list of articles published in the LIMC and the full titles corresponding to the bibliographical abbreviations used in the LIMC, in the ThesCRA and on this site.
      fr . en . de . it . es . ру . ma . عر . ελ


      Sunday, October 30, 2016

      Portraits du Fayoum

      [First posted in AWOL 6 December 2013, updated 30 October 2016]

      Portraits du Fayoum
      Peints sur des plaquettes de bois précieux ou sur de la toile de lin, les portraits du Fayoum sont datés de la période romaine: du Ier au IVe siècle ap. J.-C.

      Il en existe quelques milliers conservés dans les musées depuis que W. M. Flinders Petrie découvrit en mars 1888 "un immense cimetière d'époque romaine avec des chambres tombales en brique contenant encore les corps de leurs propriétaires". L'émotion le saisit lorsqu'il aperçoit, encore fixé sur sa momie, le premier portrait, "une jeune fille magnifiquement dessinée, dans de douces teintes grises.
       
       La majorité des portraits funéraires présentent les visages grandeur nature. Ils doivent assurer au défunt un visage dans l'au-delà identique à celui de sa vie sur terre. Ils sont très expressifs, même après 2000 ans d'oubli.
      Page 1      Page 2      Page 3      Page 4      Page 5     
      Page 6      Page 7      Page 8      Page 9      Page 10    
      Page 11     Page 12     Page 13     Page 14     Page 15    
      Page 16    



      125-150 ap. J.-C.
      bois

      Athènes


      Thèbes
      IIe siècle ap. J.-C.
      bois

      Paris


      Thèbes
      IIe siècle ap. J.-C.
      bois

      Paris


      Thèbes
      IIe siècle ap. J.-C.
      bois

      Paris


      Thèbes
      IIe siècle ap. J.-C.
      bois

      Paris



      2e quart IIe siècle ap. J.-C.
      bois

      Moscou


      Hawara
      2e tiers IIe siècle ap. J.-C.
      bois - cadre doré

      Londres







      Saqqarah
      253 - 268 ap. J.-C.
      lin

      Dresde


      Saqqarah
      253 - 268 ap. J.-C.
      bois

      Dresde

      Tuesday, September 6, 2016

      ICONOS: Cattedra di Iconografia e Iconologia, Dipartimento di Storia dell'arte e spettacolo, Facoltà di Lettere e Filosofia, Sapienza Università di Roma

      ICONOS: Cattedra di Iconografia e Iconologia, Dipartimento di Storia dell'arte e spettacolo, Facoltà di Lettere e Filosofia, Sapienza Università di Roma



      Metamorfosi di Ovidio Sapienza Università di Roma



      Viaggio interattivo nelle Metamorfosi di Ovidio

      Immagini e testi per una catalogazione informatica come sistema di ricerca
      ICONOS nasce da una esigenza di catalogazione iconografica dei soggetti profani - ed in particolare mitologici - nell'ambito degli studi storico-artistici. Riconoscere un determinato soggetto mitologico di un'opera figurativa presuppone una conoscenza non soltanto artistico-visiva, ma anche letteraria. I repertori esistenti forniscono però indicazioni soltanto parziali sulle origini, gli sviluppi e la diffusione di un tema mitografico e raramente collegano tra loro la tradizione iconografica e quella testuale.

      ICONOS è stato progettato per giungere alla costituzione di un nuovo repertorio mitologico relativo sia alle immagini - per l'arco temporale che va dall'antichità al XVIII secolo - che ai testi: classici, medioevali e rinascimentali. Tale repertorio non si limita però ad avere fini di catalogazione, ma costituisce piuttosto - ed in questo deve cogliersi il suo maggiore punto di forza - una base cognitiva volta a facilitare e stimolare la ricerca in diversi ambiti disciplinari: dall'archeologia alla filologia, dalla letteratura alla storia dell'arte.


      Sunday, August 7, 2016

      Getty Publications Virtual Library: Free digital backlist titles from the Getty Publications Archives: Antiquities

       [First posted in AWOL 21 January 2014, updated 7 August 2016]

      Getty Publications Virtual Library
      http://www.getty.edu/publications/images/home_virtuallibrary.jpg
      Free digital backlist titles from the Getty Publications Archives
      Getty Publications produces award-winning titles that result from or complement the work of the J. Paul Getty Museum, the Getty Conservation Institute, and the Getty Research Institute. This wide variety of books covers the fields of art, photography, archaeology, architecture, conservation, and the humanities for both the general public and specialists. Publications include illustrated works on artists and art history, exhibition catalogues, works on cultural history, research on the conservation of materials and archaeological sites, scholarly monographs, critical editions of translated works, comprehensive studies of the Getty's collections, and educational books on art to interest children of all ages.
        
      Cult Statue of a Goddess: Summary of Proceedings from a Workshop Held at The Getty Villa, May 9, 2007
      MORE
      History of Restoration of Ancient Stone Sculptures
      MORE
      Masterpieces of the J. Paul Getty Museum: Antiquities
      MORE
      Small Bronze Sculpture from the Ancient World
      MORE
      Corpus Vasorum Antiquorum: Fascicule 3
      MORE


      The Conservation of Archaeological Sites in the Mediterranean Region
      MORE

      Alexandria and Alexandrianism
      • Alexandria and Alexandrianism

      • John Walsh, Thomas F. Reese, Peter Green, Henri Riad, Diana Delia, Gunter Grimm, Lilly Kahil, Heinrich von Staden, Judith McKenzie, John Onians, W. A. Daszewski, Klaus Parlasca, Michael Pfrommer, Robert Steven Bianchi, R. R. R. Smith, Bernard V. Bothmer, Andrew Stewart, Arielle P. Kozloff, G. W. Bowersock, Abraham L. Udovitch, Mohamed Ghoneim
      • 1996


      MORE


      Ancient & Historic Metals: Conservation and Scientific Research
      MORE



      The Restoration of Ancient Bronzes: Naples and Beyond
      • The Restoration of Ancient Bronzes: Naples and Beyond

      • Edited by Erik Risser and David Saunders, with contributions by Andrea Milanese, Carol C. Mattusch, Luigia Melillo, Salvatore Siano, Sophie Descamps-Lequime, BenoÓt Mille, Dominique Robcis, Nathalie Balcar, Uwe Peltz, Se·n Hemingway, Sarah McGregor, Dylan Smith, Luisa Fucito
      • 2013


      MORE

      Chalcolithic Cyprus
      MORE

      The J. Paul Getty Museum Guidebook
      MORE






      Ancient Herbs in the J. Paul Getty Museum Gardens
      MORE




      Palace Sculptures of Abomey: History Told on Walls
      MORE
      Corpus Vasorum Antiquorum: Fascicule 4
      MORE
      The Lansdowne Herakles
      MORE
      Greek Vases in the J. Paul Getty Museum:  Volume 5 (OPA 7)
      MORE
      The Victorious Youth
      MORE
      Antiquity and Photography: Early Views of Ancient Mediterranean Sites
      MORE
      The Colors of Clay: Special Techniques in Athenian Vases
      MORE





      The Colors of Clay: Special Techniques in Athenian Vases
      MORE